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jazz pickups aligned vertically
- Thread starter kkaarrll
- Start date
I think that the coils are too wide when set side by side the pole pieces would not line up with the strings.
You mean one pickup per string?
Hmm, now you've got me thinking.
You could make it even more elegant by sticking it all under a ramp.
Hmm, now you've got me thinking.
You could make it even more elegant by sticking it all under a ramp.
Because it sounds like mud. Very dull tone from all the treble cancellations that happen. It's like a mega-wide humbucker.
I would, but that isn't the idea I had.Sounds like you would like a double Precision setup to me.
Having a pickup for each string would allow you to adjust volume & tone for each string, but...
Some of the harmonics are going to bleed over to the other pickups, just because they're so close together. So, it doesn't make a lot of sense.
It would work best if your fretboard were really really wide.
Some of the harmonics are going to bleed over to the other pickups, just because they're so close together. So, it doesn't make a lot of sense.
It would work best if your fretboard were really really wide.
The Italia Modulo basses had this arrangement for a few years, though using lipsticks rather than jazz pickups. I've no idea what they sounded like, but I've seen at least one re-worked with a custom pickguard and a p-bass pickup, so perhaps it wasn't that great a success. The newer model has a single more conventional pickup.
I've been building basses with pickups in that configuration for many years. I'm using custom coils of my own design, one long oval coil per string, three 1/4" A5 rod magnets per coil. They work very well. Full, wide frequency range, exceptional clarity and sustain. There's no bleed over of harmonics or cancelling of treble. The four coils are alternating magnets, alternating windings, wired in series, so the group is a humbucker.
J-pickup coils, even with the covers removed, would be too wide for normal string spacing.
J-pickup coils, even with the covers removed, would be too wide for normal string spacing.
How would 1 pickup for each string vertically be any different than 4 pickups horizontally? Same number of magnets per string.
Don't cut the ears off of the two outside pickups and glue them together, or glue the ears to the ends if you wanted to have individual adjustments.
Doner Designs
Steve Doner
- Jun 2, 2012
- 5,784
- 6,819
- Disclosures
- Doner Designs is an alias for Steve Doner
I believe Tom Peterson from Cheap Trick had a couple of 12 string basses (4 string with dual octave strings) and which had separate pickups and tone controls for each string. They were not very long though - maybe an inch or so with just a few magnets. I like your idea for an experiment.
Maybe try the Nordstrand Mustang pickup. You could use split it to use half for two strings and would only have to buy two that way and the length would be less absurd. The stang pickup is probably narrower than a J also, so you might actually get them to fit.
Maybe try the Nordstrand Mustang pickup. You could use split it to use half for two strings and would only have to buy two that way and the length would be less absurd. The stang pickup is probably narrower than a J also, so you might actually get them to fit.
This is like saying....
"A tack hammer will do the job perfectly so, clearly, a sledge hammer would do it amazingly well and a wrecking ball would do it.... like..... awesome!"
Not so. Using a sledge hammer on anything a tack hammer would work on would just make mess.
Now, if making a mess is what you're going for quit playing and use the wrecking ball. How about 3" string spacing and a Wal pickup for each string in the bridge position and jazz at the neck for each. I mean, you gotta have tonal options, right?
"A tack hammer will do the job perfectly so, clearly, a sledge hammer would do it amazingly well and a wrecking ball would do it.... like..... awesome!"
Not so. Using a sledge hammer on anything a tack hammer would work on would just make mess.
Now, if making a mess is what you're going for quit playing and use the wrecking ball. How about 3" string spacing and a Wal pickup for each string in the bridge position and jazz at the neck for each. I mean, you gotta have tonal options, right?
