See, you have to remember that for guys like them (and me and so many others) raised in the South, blues, country, gospel, and Jazz are all crossbreeds or strong separate strains of originally black music, and these would be flavors we draw on automatically and unconsciously without labels. It was all pieces from the same pie. Aretha or Whitney never lost that gospel feel, the Stones or Skynyrd would lean right into country, and Ray Charles was as much country blues as he was Ellington.
In an earlier time, artists would walk between influences effortlessly, so guys like Jerry Lee could play Newcastle, the Opry, and in church from a catalog of deep influences without even thinking about it, it was whole cloth.
I agree, but you've explained it better than I ever could. Thank you.
I think perhaps we could put Elvis in the same category, what do you reckon? Blues, country, gospel...though perhaps a little light-on in the jazz department.
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