Also I need to open the control cavity of my 85 to investigate this circuitry.
Yes I play my 18 boards passive and my 9V boards active.
I played my 18v passive for quite a while too! I was lazy to re-solder my busted battery clip.

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Also I need to open the control cavity of my 85 to investigate this circuitry.
Yes I play my 18 boards passive and my 9V boards active.

I played my 18v passive for quite a while too! I was lazy to re-solder my busted battery clip.![]()
Not enough coffee in me this morning to even begin...... kind of makes me wonder what Phil figured the perceptible deviation in intonation would be when flipping from clasp on to clasp off even though its only those first 2 frets. I can see it on the strobe but damned if I can hear it.Let's have some fun. If an Ex-Factor at 32" scale makes a 36.5" D string, then what would the D string scale length be if the Ex-Factor was a 34" scale? 'Cause that's how long your ebony plank would need to be!
Salty! You still have your dark metallic green and white babies?
Even though all I've read about Philbuilt superiority over FCS is hogwash IMO, I still want to land a '86~'89 just to have the complete range of ExFactor eras. My 2 9v FCSs are my main players and constant companions BTW.Yes. I’m down to four.
Sky blue 85
Purple 87
White 89
Green/ charcoal metallic 90.
Even though all I've read about Philbuilt superiority over FCS is hogwash IMO, I still want to land a '86~'89 just to have the complete range of ExFactor eras. My 2 9v FCSs are my main players and constant companions BTW.
Let's have some fun. If an Ex-Factor at 32" scale makes a 36.5" D string, then what would the D string scale length be if the Ex-Factor was a 34" scale? 'Cause that's how long your ebony plank would need to be!
Not enough coffee in me this morning to even begin...... kind of makes me wonder what Phil figured the perceptible deviation in intonation would be when flipping from clasp on to clasp off even though its only those first 2 frets. I can see it on the strobe but damned if I can hear it.

I consider myself lucky in that my '92 is a comfy 8.5lbs. I call it Merlot, but got the official word on that from Carla as Burgundy Red Burst. A little less bursty than Vail's, but I like that.I did have them all at one point. Sold my post fender factors due to their weight. Significantly heavier and they weren’t being played.
Anyone care to double check my algebra?
EDIT: 38.8" if we're rounding up.
Not enough coffee in me this morning to even begin...... kind of makes me wonder what Phil figured the perceptible deviation in intonation would be when flipping from clasp on to clasp off even though its only those first 2 frets. I can see it on the strobe but damned if I can hear it.
After having my coffee, I think the answer is that the unclasped D would have a 38.7" scale length, if the Ex Factor were a 34" scale instrument. Anyone care to double check my algebra?
EDIT: 38.8" if we're rounding up.
Even if close, I doubt anyone makes an E string that long!![]()
There’s also a newer review in a later issue (the issue has Victor Wooten on the cover).I was going through the archives this morning looking for some back issues of Bass Player for a guy and came across my Fall 1990 (Will Lee) issue. I think I'll be keeping this one.....
View attachment 5255001
And speaking of Vail Johnson, same issue......
View attachment 5255002
The only one I have with Vic on the cover is the Nov. 1993 Bassist Of The Year issue where he and Flea are on the cover. Didn't see a Kubicki review in that one.There’s also a newer review in a later issue (the issue has Victor Wooten on the cover).
I overlooked the conclusion of that review.....Great little read description