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LaBella Flats for Rock/Pop

I use flats on a P for quite a few mixed bag gigs with very good results. I am not constrained with what I use or need to exactly cover the original bass parts or sounds. The rest of the band really likes and compliments when I am playing flats. even slap. And I dig that Chuck Rainey and Bernard Edwards slap with flats sound.
 
I will survive by gloria Gaynor, levitating by dua lipa, that sort of thing
Scott Edwards who played bass on I will Survive, posted on TB up until 2019. He passed away in 2022
IMG_1054.jpeg

Not sure what strings he liked to use. The silks are very worn in the pic.

 
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I use the same bass with flats in two very different rock bands currently. My bandmates often compliment the sound I’m getting. I think a little bit of preamp gain/overdrive helps them get a bit of an edge in place of that roundwound rock grind. Also, I’m using D’Addario Chromes which are probably brighter than the Labella’s (I’ve yet to try any Labellas).
 
How do y'all feel about Labella 760FS flatwounds for rock, pop, dance music on a P Bass?
I play Labella Olintos on a PBass in two different bands, one that is primarily rock / pop, and one that is blues / R&B / rock. If I want some additional brightness, I play an Ibanez GSR 100 EX with Ernie Ball Cobalt flats.

I played the brightest strings I could find and changed them often for years. I started experimenting with flats about 10 years ago and went all in with flats about 4 years ago. I drug out my Jazz bass with rounds at a gig a couple weeks ago and only made it through a couple songs before I went back to a bass with flats.

There’s a feel and a tone combination with flats that has me totally addicted. I have flats on most of my basses now, and the couple I still have strung with rounds aren’t getting much playing time.

Is it worth it?
Are you asking if the strings are worth the price or ?? If you try flats and end up liking them, they become cheaper than rounds simply because you won’t change strings as often. If I do play rounds, they need to be a little fresh or they are awful for both feel and tone; just dead in all aspects. There’s actually no such thing as dead flats;)
 
I use the same bass with flats in two very different rock bands currently. My bandmates often compliment the sound I’m getting. I think a little bit of preamp gain/overdrive helps them get a bit of an edge in place of that roundwound rock grind. Also, I’m using D’Addario Chromes which are probably brighter than the Labella’s (I’ve yet to try any Labellas).
I have a G&L JB2 strung with D'Addario Chromes and a Fender PJ strung with D'Addario round wounds. We play some disco including I Will Survive. Neither the crowd nor the band seems to notice a difference in tone or punch between the basses. The Fender PJ is inherently a punchier instrument, so I do adjust the G&L so it has some more growl and boost when playing disco songs and stuff.
 
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Labella with flats, mine have a particular sound. They're a couple years old and a little dull, but I can EQ them to the sound I want. There is a string thru body version I had to buy straight from them. I'm not talking them off.
 
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I have LaBella 760FS on my pbass (Lull p4). For me, they sound like the 1960/70s and they thump. If that's the sound you are going for, these strings are great. The one caution I would say about the 760FS is that the tension is relatively high on these. If you are used to playing only with low tension strings you may find the FS's too taut and maybe uncomfortable to play. If that's the case, I would try the FLs, which sound similar but are thinner gauge and less tension (they still thump pretty well). The set up I've found best is medium low action so the notes can breathe a bit. YMMV of course, but I really like these strings. One other benefit: no more string changes. I've had the same set on my pbass for 6+ years and they are still going strong.