I find them intriguing. I do not actually see them in real life.
The Alumitone pups also intrigue me, but were hard to find in stock when I was seeking them.
What I like is that Lace, instead of making a same-old same-old bass, or rather inintelligently exploiting exotic woods, put some design chops into thinking of the task of a player. That sets them apart from most of the designers/luthiers/producers in the field. Whether it's great or not, I dunno. But I like the approach.
My hunch is they didn't figure out how to manage production/supply (given the difficulty I had when earnestly trying to buy the stuff).
The Alumitone pups also intrigue me, but were hard to find in stock when I was seeking them.
What I like is that Lace, instead of making a same-old same-old bass, or rather inintelligently exploiting exotic woods, put some design chops into thinking of the task of a player. That sets them apart from most of the designers/luthiers/producers in the field. Whether it's great or not, I dunno. But I like the approach.
My hunch is they didn't figure out how to manage production/supply (given the difficulty I had when earnestly trying to buy the stuff).