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Lakland Owners Group #58

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Finally got my profile picture changed. Here she is!

View attachment 283280

VERY nice close up fine sir!!!

I love it....

Markus...I KNOW...I KNOW....:D

Man that's awesome!!!

yup...it is...

[Originally Posted by firefighta115
Win some, lose some..... I cant decide what I want in trade... a Skyline 3tsb and RW board Glaub.... or a Skyline trans burgundy hollowbody... Somebody make my mind up for me!!!

Who has got some experience in comparing these two basses?
Had a Skyline BG4 and LOVED it....got rid of it when i got my US BG5PJ....have only played a few HBs for short periods of time but am always impressed when i do...

HBs are more "rare" and harder to come by so i would say go for the HB...BUT it all does depend on what style of music you are playing (to a degree)]


Thanks Doug

....any time....:D Always happy to spend OPM....

Now that I think about it, when I did test out that DJ, it was extremely easy to slap and pop. It just felt natural and it sounded amazing. Man I want one. I really want a US DJ, but might have to settle for a Skykine.

Having played several Skylines and "touched" a few US DJs (never plugged them in)....I can say that the Skyline DJs are really nice....no "settle for"....just "settle in" for a great bass!

Thank you sir... I rarely get to photograph things that aren't destroyed by fire.. lol
Forensic photography only takes me so far.

so...you photo losses huh? I used to work for a very large commercial insurance company myself...performed appraisals for them USUALLY before a loss but sometimes after...

that is a nice picture!
 
basspics318-1.jpg

I love that candy apple red Joe Osborn and I've never like candy apple red. Something about it just looks so right. Is it a US or Skyline?
 
Either talk me down from the ledge or push me over: I have 2 44-02D's on with the Barts and one with the LH3. I rarely play the one with the Barts because the LH3 just kills it, so my LH3 set up and my Duck Dunn are my primaries. I'm gassing for a 44-60. Do I really need a Jazz to have all of my bass Bases covered? Is there any real advantage to have the 2 44-02's? I love the thought of the P, the J and the MM/J in the stable, it just seems like the trinity would be complete...Help...
 
Texan said:
Either talk me down from the ledge or push me over: I have 2 44-02D's on with the Barts and one with the LH3. I rarely play the one with the Barts because the LH3 just kills it, so my LH3 set up and my Duck Dunn are my primaries. I'm gassing for a 44-60. Do I really need a Jazz to have all of my bass Bases covered? Is there any real advantage to have the 2 44-02's? I love the thought of the P, the J and the MM/J in the stable, it just seems like the trinity would be complete...Help...

Everyone needs a Jazz Bass. I'd lose the 44-02 that you're not using, though. Someone else would probably rock the spit out of it *and* it would help pay for your hottt new bass.
 
every self-respecting bassist should have, in no particular order.

something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
and then, if you got those covered
something unique to keep from getting bored with the other stuff - (HB, acoustic, upright, U-bass, whatever)

IMHO and YMMV, of course.
 
every self-respecting bassist should have, in no particular order.

something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
and then, if you got those covered
something unique to keep from getting bored with the other stuff - (HB, acoustic, upright, U-bass, whatever)

IMHO and YMMV, of course.

I guess I don't respect myself then. :ninja:
 
funny man.

yes, fretless is good (just never been good for me)

and for all you 5-string players out there, all applies to you to (just never been too good for me)

If you get all your joneses out with one bass, I tip my hat to you, I can't do it with one bass.
 
every self-respecting bassist should have, in no particular order.

something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)

I've been paying for all that therapy, and it turns out I really DO respect myself. Wow, that is great news! :D

Kidding, of course. But I agree with Gary, as I usually do, that it is nice to have all those bases covered. I like having a fretless, too.

Texan, I'd sell the extra 44-02 if the one with the LH3 is the one you are always gonna' play. There are likely a lot of people out there who would really like to have the Bart equipped one. Cash on hand is always good when your mouth is watering for something new. ;)
 
Texan, I'd sell the extra 44-02 if the one with the LH3 is the one you are always gonna' play. There are likely a lot of people out there who would really like to have the Bart equipped one. Cash on hand is always good when your mouth is watering for something new. ;)

It's already listed in the for sale section. I love the look and the sound, but I just bonded more with my LH3 equipped TSB 44-02D...Now I just have to decide on a sunburst 44-60 custom or a white 44-60 and add block decals to it...
 
I love that candy apple red Joe Osborn and I've never like candy apple red. Something about it just looks so right. Is it a US or Skyline?
I'm guessing US from the stacked knobs. But, US or Skyline, there's something so darn righteous about Lakland's CAR finish! The depth is amazing.
 
Everyone needs a Jazz Bass. I'd lose the 44-02 that you're not using, though. Someone else would probably rock the spit out of it *and* it would help pay for your hottt new bass.
every self-respecting bassist should have, in no particular order.

something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
and then, if you got those covered
something unique to keep from getting bored with the other stuff - (HB, acoustic, upright, U-bass, whatever)

IMHO and YMMV, of course.
I shall respectfully disagree with the gentlemen from Montreal and Utah and say that everyone needs a P bass--two, really! One with rounds and one with flats. And try to have one of them come with a Dark Star:D

ETA: Consider a Decade as well. Lotsa tonal flexibility with those pickup locations.
 
every self-respecting bassist should have, in no particular order.

something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
and then, if you got those covered
something unique to keep from getting bored with the other stuff - (HB, acoustic, upright, U-bass, whatever)

IMHO and YMMV, of course.
On a more serious note, I've got the vintage (my favorite category ;)) covered with 2 Ps and a Ric, and the unique thing going with an HB. J basses I just don't get along with. I tried "modern" with an MM and it didn't take. I could see giving that another go in the future, maybe an active PJ...
 
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