Now that I think about it, when I did test out that DJ, it was extremely easy to slap and pop. It just felt natural and it sounded amazing. Man I want one. I really want a US DJ, but might have to settle for a Skykine.
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that's a really nice shot.
Man that's awesome!!!
[Originally Posted by firefighta115
Win some, lose some..... I cant decide what I want in trade... a Skyline 3tsb and RW board Glaub.... or a Skyline trans burgundy hollowbody... Somebody make my mind up for me!!!
Who has got some experience in comparing these two basses?
Had a Skyline BG4 and LOVED it....got rid of it when i got my US BG5PJ....have only played a few HBs for short periods of time but am always impressed when i do...
HBs are more "rare" and harder to come by so i would say go for the HB...BUT it all does depend on what style of music you are playing (to a degree)]
Thanks Doug
Now that I think about it, when I did test out that DJ, it was extremely easy to slap and pop. It just felt natural and it sounded amazing. Man I want one. I really want a US DJ, but might have to settle for a Skykine.
Thank you sir... I rarely get to photograph things that aren't destroyed by fire.. lol
Forensic photography only takes me so far.
Texan said:Either talk me down from the ledge or push me over: I have 2 44-02D's on with the Barts and one with the LH3. I rarely play the one with the Barts because the LH3 just kills it, so my LH3 set up and my Duck Dunn are my primaries. I'm gassing for a 44-60. Do I really need a Jazz to have all of my bass Bases covered? Is there any real advantage to have the 2 44-02's? I love the thought of the P, the J and the MM/J in the stable, it just seems like the trinity would be complete...Help...
Everyone needs a Jazz Bass. I'd lose the 44-02 that you're not using, though. Someone else would probably rock the spit out of it *and* it would help pay for your hottt new bass.
every self-respecting bassist should have, in no particular order.
something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
and then, if you got those covered
something unique to keep from getting bored with the other stuff - (HB, acoustic, upright, U-bass, whatever)
IMHO and YMMV, of course.

If you get all your joneses out with one bass, I tip my hat to you, I can't do it with one bass.
every self-respecting bassist should have, in no particular order.
something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
Texan, I'd sell the extra 44-02 if the one with the LH3 is the one you are always gonna' play. There are likely a lot of people out there who would really like to have the Bart equipped one. Cash on hand is always good when your mouth is watering for something new.![]()
I'm guessing US from the stacked knobs. But, US or Skyline, there's something so darn righteous about Lakland's CAR finish! The depth is amazing.I love that candy apple red Joe Osborn and I've never like candy apple red. Something about it just looks so right. Is it a US or Skyline?
Everyone needs a Jazz Bass. I'd lose the 44-02 that you're not using, though. Someone else would probably rock the spit out of it *and* it would help pay for your hottt new bass.
I shall respectfully disagree with the gentlemen from Montreal and Utah and say that everyone needs a P bass--two, really! One with rounds and one with flats. And try to have one of them come with a Dark Starevery self-respecting bassist should have, in no particular order.
something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
and then, if you got those covered
something unique to keep from getting bored with the other stuff - (HB, acoustic, upright, U-bass, whatever)
IMHO and YMMV, of course.
Some folks here could change that number to ten.If you get all your joneses out with one bass, I tip my hat to you, I can't do it with one bass.
On a more serious note, I've got the vintage (my favorite categoryevery self-respecting bassist should have, in no particular order.
something vintage - (passive P, Ric, etc.)
something jazzy - (a passive jazz, duh)
something modern - (active whatever, J, MM, MMJ, Big Al, Bongo, Modulus, etc.)
and then, if you got those covered
something unique to keep from getting bored with the other stuff - (HB, acoustic, upright, U-bass, whatever)
IMHO and YMMV, of course.