Well thanks for asking. It's been a very long time since I think I played a fretless live. And honestly, that may have never actually happened. Memories and clouds being what they are. But I was really wanting to at least get this one out, plugged in at volume and hear it, even if only for a sound check test or some simple song we do that wouldn't get me into too much trouble. I was concerned. But I was pleasantly shocked at how well it went. Perhaps I am a marginally better player than I was 8-10 or more years ago when I had my last FL, but the minimal practice I did at home to get reacquainted paid dividends. Yes there were some minor cock-ups, as there also always are with my fretted basses but I did not embarrass myself nor did anyone else in the band even notice (I think...). If I hadn't pulled it off or if it was a sweaty palmed disaster I probably would again think twice about keeping a FL in the mix, but like having one great golf shot in a round of 18 holes, I am now emboldened to press on with this adventure!
A couple things of note on the bass itself. It came to me with fairly GHS Pressure wounds installed, with which I am not that familiar but are a very popular FL choice. I like them and will keep them but their tension seems to have the truss rod adjustment just shy of maxed out. I don't know how these compare to a standard set of rounds, i.e. the basic Lakland Nickels 45-128 set, but it's thr first Lakland that has ever gotten close to that truss rod limit. Now that adjustment is fine with perfect relief currently but a higher tension set of anything might not leave enough room for adequate adjustability. But that may never occur anyway. Just an observation.
Another setup quirk I found was the inability to sting heights to my usual and preferred 5/64" low to 4/64" high. I run out of saddle lowering adjustment at 6/64". The bass plays well so it's not the biggest concern, but it is in my head. In fairness this has been consistent of about every Skyline I have owned but the bottomed B and G saddles woudl almost always yield the 5/64" and 4/64" that I like. Normally this is a simple shim issue to mildly change the neck angle so I installed a .015 shim on the FL and while that gained me a bit of saddle adjustability it then introduced some unwanted string buzz around the 15th 'fret' and up. So out that came and I am back to where I started and not wholly unhappy, just bothered a bit by that lack of adjustability. It seems that there was not sufficient additional fingerboard thickness to offset what would have notmally been the fret height on a bass that was originally built to be a fretted bass. The answer is probably a simple maple 1/32" full thickness, non-tapered, neck pocket shim that would raise the neck uniformly and allow the saddles to have a greater range of adjustability. Maybe I will play more with this at the next string change, if that happens at all.
Lastly, there was an interesting difference of output between the FL and my DJ5's. Both of my DJ5's have stock Lakland pickups and an Audere basic 3-band Jazz preamp. The FL has the stock Chi-Sonic pickups and an Audere Pro-JZ3 4-band Jazz preamp. So I expected the output to be equal, but the FL was noticeably lower and required an amp volume adjustment with every change over. So that is something I need to look into a but deeper as well. Are the Chi Sonic pickups a lower output than the Lakland Jazz pickups?