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leland sklar's gear

When I saw him live with Carol King, ca 1975 or so, he was using his Jazz bass (with the highly carved body), and and SVT. I understood from a Guitar Player Magazine interview at the time he was using Rotosound RS-66 strings. He later started using a P style body with the pair of EMG Precision PUPs, a P neck shaved down to Jazz bass dimensions, mandolin frets, and last time I read anything he was using GHS strings, primarily Super Steels. "Your Smiling Face" by James Taylor is a Yamaha BB-2000 (I think, whichever one is the neck-thru bass with a single split coil P type PUP). He was one of the first people to use a Steinberger too. Pictures from Jackson Browne's "Running On Empty" include a shot of a Moonstone bass with carved covers over the headstock that looked like eagles heads. Those basses were made with burled wood so they had distinctive grain patterns.

He used to use a Peavey pre-amp, power amps and an assortment of cabinets, but he's lateley been endorsing Euphonic Audio stuff.

jte
 
do you know what kind of bass and strings was playing Lee Sklar in the late 60's and the 70's with James Taylor? do you know if he recorded directly of with an amplifier (in case, what?).
thanks, Tito.

On the 'reunion tour' with James and Carol King that just concluded, he is using that bass again... the old Frankenfender with the dual reverse P pickups that he used on all those old recordings. Still sounds great.
 
wondering how a lelan sklar double reverse type array would work with no preamp, am thinking of adding a 2nd rev p array in lieu of the humbucker near the neck on this one
blue-ish ash hpj full.jpg