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Les Paul basses.

I can only say that I might have not bought it new for the sheer weight of it - but I don't regret selling it for the VM-Jazz.

The Jazz has turned out to be a sweetie too:::

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Come to think for a minute - the VM lent itself to customizing and modding a lot better than the LPS might ever.

Wow. That looks gorgeous.
I've been thinking, if I can't find a good Les Paul bass, I'll go for a CV '50s P-Bass.
 
I seriously believe there are very good LPs out there. I know they have to sounds I like and the looks - although they are heavy.

What I don't follow in your logic is going from a LP to a Precision - two very different birds methinks.

Don't get me wrong - I love my Ps and Js - but a LP seems to be more along the lines of a SR500 (which I also have).
 
I seriously believe there are very good LPs out there. I know they have to sounds I like and the looks - although they are heavy.

What I don't follow in your logic is going from a LP to a Precision - two very different birds methinks.

Don't get me wrong - I love my Ps and Js - but a LP seems to be more along the lines of a SR500 (which I also have).

I know I can get a tone I like out of both basses. I'm familiar with both neck types, and body weight. But it really all depends on which I have a better feel for. I always try out basses before I buy them. But from what I've been reading, the quality of a CV/VM is better than an Epi LP Special bass. (This is a horrible stereotype, but...) I'm Jewish and my father, who's also a musician, taught me to try to get the best bang for my buck.
 
I like the Silverburst one.
How do they sound?
That one is my favorite as well.

They sound pretty much like whatever you want EXCEPT the pickups are not "modern, super-bright" so you probably can't do Alembic sounds. There are no tone controls, three volumes. The volume setting and how/where you play determines the sound. FWIW, they come with Hipshot Type B bridges.
http://store.hipshotproducts.com/cart.php?m=product_detail&p=350

Examples after 4 years of use and learning the no-tone control bass:
All neck pickup played near the neck = Gibson mudbucker sound, 60's bass sound, or (if muted correctly) upright bass sound.
All neck pickup played normally = close to a 64 T-bird with fresh Rotosounds except a lot brighter(maple not mahogany).
All rear pickup = Jaco-ish sound
Mix front 100% + rear 80% = T-Bird to Ric sound
Middle pickup? Hardly used but can do, soloed, Fender sounds and is good for using solo when my strings are old/dead(cut the front pickup to 0%). Makes dud strings sound new(less boomy).

Throw a Line 6 BassPODXTLive or similar on these and you can cover a LOT of sounds.

The only caveat with these is they have a FAST neck. Not skinny but thinner(fretboard to back) than say a P. Using standard or heavy gauge strings can cause problems. I'm on 40-60-80-100 Roto's but will probably mix sets to 45-65-80-100 in the near future to bring a touch more fullness to the D and G.

The Silverburst came from Ishibashi
[Invalid or Expired Link Removed]
for....$200 + $105(?) shipping. I was going to eBay the pickups or use them in a Brice T-Bird here until I played the bass. Ain't no way it's getting parted out now.
 
That one is my favorite as well.

They sound pretty much like whatever you want EXCEPT the pickups are not "modern, super-bright" so you probably can't do Alembic sounds. There are no tone controls, three volumes. The volume setting and how/where you play determines the sound. FWIW, they come with Hipshot Type B bridges.
4 String B Style Bass Bridge > Store > Hipshot Products

Examples after 4 years of use and learning the no-tone control bass:
All neck pickup played near the neck = Gibson mudbucker sound, 60's bass sound, or (if muted correctly) upright bass sound.
All neck pickup played normally = close to a 64 T-bird with fresh Rotosounds except a lot brighter(maple not mahogany).
All rear pickup = Jaco-ish sound
Mix front 100% + rear 80% = T-Bird to Ric sound
Middle pickup? Hardly used but can do, soloed, Fender sounds and is good for using solo when my strings are old/dead(cut the front pickup to 0%). Makes dud strings sound new(less boomy).

Throw a Line 6 BassPODXTLive or similar on these and you can cover a LOT of sounds.

The only caveat with these is they have a FAST neck. Not skinny but thinner(fretboard to back) than say a P. Using standard or heavy gauge strings can cause problems. I'm on 40-60-80-100 Roto's but will probably mix sets to 45-65-80-100 in the near future to bring a touch more fullness to the D and G.

The Silverburst came from Ishibashi
[Invalid or Expired Link Removed]
for....$200 + $105(?) shipping. I was going to eBay the pickups or use them in a Brice T-Bird here until I played the bass. Ain't no way it's getting parted out now.

I'm digging that webstore. They have some colorways I've never seen before. Definitely worth the extra for shipping.
Might have to purchase from there.
 
I have a Gibson Les Paul "money "bass. Let me tell you, this is one of the nicest basses I have ever played. Ceramic pickups are hot as hell, beautiful satin finish on neck and body,

Its a real joy to play! Bridge is not the most convenient, as far as adjustments, thats the only downfall.

The natural satin finish, and the manhat. blue were produced in limited #s (400 I think) They were a Gibson guitar of the week thing.... but I think there were also other colors made in 2007 though.

Very nice instrument, double cutaway,if you like that sort of thing, and come up on E-Bay occasionally at a decent price.

Right in your range! I reccomend giving one of these a try!