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Let's See Your Hot-Rodded Cheapo Basses!

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Bought this on the TB classifieds for cheap and sanded it down, stained it and put a Joe Barden pickup and fretless neck - turned out to be great playing bass and very light.
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That's a helluva transformation! Well done!! :thumbsup:

It was replaced at the owner's expense, but with a SD jazz . Now the neck pu just OVER POWERED the factory bridge pu, so I had to buy the matching SD bridge pu.
I've run into this exact situation, only it was with a Quarter Pounder Precision pickup overwhelming a Fender Super 55 Jazz pup. That's saying something 'cuz the Super 55's are already beefy as heck. It just goes to show what a monstrous beast Seymour Duncan created there. :nailbiting:

In keeping with the "Cheapo" groove @Monterey Bay-ss originally set forth, I have a few submissions. Most recently, there are my "No-Guilt" Jazzes. The exact composition of parts is chronicled in their own thread…

Unveiling IV: Squier "No-Guilt Jazz V" Parts-Bass
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…but those are more "parts-basses" than "slightly modified from stock" instruments. However, at one time, I owned a great Squier Standard Jazz that served as my dedicated "mod platform". For a while, it was using the same Fender Deluxe bridge that you'd find on a Fender Blacktop, but honestly, there wasn't much difference, so eventually I went back to the stock bridge.

(Note: Only the Jazz was modified. I kept the P-Bass Special and the Strat in stock condition.)
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One of the odd idiosyncrasies of the Squier Standard series was that they used the same size pickups for both the neck and bridge positions. This makes trying different pickup sets problematic, so I had my local Guitar Center tech open the bridge pickup slot a wee bit…really just a haircut, as you can see.

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Once that was done, I was free to experiment with any standard-sized pickup set I wanted to. :smug:

Oh, one last thing…every bass I own eventually gets fixed up with some kind of Hipshot Drop-D tuner. :thumbsup:
 
BEFORE
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AFTER
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Base instrument: Electra X700JB (230 USD) in 2018
Modifications: Gotoh 201B-4 bridge (40 USD), Gotoh GB707 tuning machines (60 USD), Gotoh(?) knobs (10? USD), Lace Aluma-P Alumitone pickup (120 USD); 230 USD total

When I started taking bass seriously again this spring after years of only occasional putzing, I found that my old gear didn't really suit my new ideas about tone, so I set out to find something snarly and dirty when this one crossed my path on reverb. I'd had good experiences with Matsumoku-made instruments from the '80s before, and this one certainly looked the part, so I took a chance on it. I figured the stock pickup would be nothing special, so I ordered the Lace in hopes of building an instrument to really push a burly tube amplifier I hoped to buy down the line (Mesa Buster 1x15). The stock pickup actually wasn't half bad as it turned out, but the Lace was already on the way so I figured I'd go for it. The intonation screws on the stock bridge had been mixed up, so I thought I'd go higher mass with a replacement, but the Gotoh 201 seemed like the only one that would fit, so I didn't go much higher mass. The clover key tuners had gotten sticky and seemed visually out of step with the rest of the instrument, so I opted for Gotoh GB707s which turn easily, look the part of a metal bass, and as it turns out, reduced mass on the headstock sufficiently to eliminate the neck dive I hadn't really even noticed. The plastic volume knob functioned but was damaged, so I had the tech replace both knobs with some black metal knobs (also Gotoh, I think) more in keeping with the look of the instrument. It wasn't a bad instrument when I got it, but with a few tweaks, it has become pretty much everything I want in a bass, and yes it does snarl through the Buster I eventually acquired :bassist:
Drool. I've been eyeballing these lately. Nicely done.
 
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Mine started as a $159 Peavey Forum on the GC used site. I documented the NBD in this thread. There's a link there to another thread in which I take the reader through the "restoration" process. All told it cost me $420. It now sounds awesome and plays very nicely - very solid and comfy neck on a bass I don't need to worry about beating up.

Here's a teaser pic before you go look at the other threads.
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Drool. I've been eyeballing these lately. Nicely done.
I got mine for 230 USD; I see some asking more like 400 for the same instrument, possibly without the slightly screwed up bridge and damaged knob, but I bet you could get those sellers to come down a bit.

Glad you like it. The body shape makes it heavy but really stands out (and stands up if you lean it against a wall), and the neck is just right: not too chunky, not too skinny.
 
original:

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then:

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wilkinson tuners, black string tree, heavy gotoh bridge and chinese pickguard.
still the original pickups and pots, but wanna upgrade at some point...

and then my brother made me a carbon pickguard: (drool)

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Does your brother sell carbon pickguards by any chance? Might push me into finally getting a Fender if I knew I could slap one of those on there. Or a mirror pickguard, or maybe one of those leather pickguards from Wal basses ...
 
Rebuilt the first bass I ever owned, a Squier P that came with a new player's kit. I purchased it from my best friend when I was 10. New finish, tuners, pickguard, classic Fender P-bass pup, new pots, wires, and knobs. LaBella flats on her!

Really happy with how it turned out!
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That's gorgeous. And so's the bass, haha. I think I need to visit Alabama.

I don't play out at the moment, but one of my oldest buddies has worked with big acts out of Nashville and his main instrument is a modified Squier P-bass in Dakota red with matching headstock, gold Hipshot hardware, and some fancy pickup. This guy grew up in a house with a '62 Jazz, and owns Rics and high-end Fenders.

Seems like hot-rodded Squiers are their own thing.
 
I like this thread, though my modded Washburn Taurus is decidedly underwhelming in the face of these awesome instrument surgeries I'm seeing, esp since it's on the high end of the budget spectrum to begin with. Still, I might snap a pic (though it's also not quiiiite done)
Bah, let's see it! I didn't do anything crazy to mine, but I'm really happy with it, and that's what counts for this thread.
 
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Before/before/After of my peavey milestone bxp .
Bass: $100
Wilkinson pickups: $55
Jazz wiring kit: $20
Knobs: $10
(Excluding tools)

The tone was sounding kinda weak to me, a little distorted. I fully intended on doing a straight up jazz wiring, but the full size tone pot wouldn't fit.(stock pots were mini) even had to sand to get the middle knob to fit. So I adapted, and wired it in series!

First gig out I wasn't sure, I think I overcompensated the EQ for the series pickups (cut bass, boost treble) and it sounded weird. But tonight I just played it out again, basically my usual settings, and IT KILLED! so fat and smooth .:cool:

So I love my el cheapo hot rod. Fun thread!
 
It's going to take me some time to present all the low cost basses I've modified, about 18, all under 24" scale and under $200. I'll post them individually over time. This one started out as a 21" scale Chinese bass uke with Aquila Thundergut poly strings, blonde with a skunk stripe, which inspired me to make it look like a walnut Rickenbacker done by Pat Wilkins. I had Eric's Guitar carve the body and headstock, added fake pickups (it has a piezo under the saddle), Rick pickguard and truss rod cover (I made a Ukenbacker decal), plus half of a Rick style tailpiece. I used LeBella flat wound 25" strings they make exclusively for the Gold Tone ME-Bass, but I use them on many different basses. Had to add an anchor on the back so the strings would fit the 21" scale. Replaced the black hardware with chrome.

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