Mine started as a cheapo $375 CDN (that's like $14.50 USD) Ibanez ATK 300 (Made in Indonesia, 2007). I can't reasonably say it's cheap anymore, as you'll see I have sunk some money into it.
Started off as a standard ATK300, ash body, natural finish, maple neck/fretboard. Here's a stock pic for reference -
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I eventually added a Dimarzio Will Power Pickup (DP146 I believe), the 'middle' version aka the split coil, in reverse (D&G coils facing towards neck) and had a 2 pickup setup, added an additional volume knob for the split-coil. Ialso removed the original bridge to shed some weight, replaced with Fender bridge (higher mass)I don't have any pictures of it in this stage at the moment but, I eventually ripped out the original ATK300 pickup and electronics and added a 1970's Fender WideRange Humbucker (from 70s Tele basses) in the bridge position, so that it looked like this -
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I liked this setup, but new there was more. The thick layer of poly on the bass added some weight, so I removed it and had it stained walnut colored. That dropepd some weight, so I added the original bridge back for style. I also removed the flame-maple veneer on the headstock, had it replaced with an unknown piece of wood that suited, and had a catholic pendent inlaid in the headstock. I added a Fred Hammon Dark Star Pickup to the neck position, had the pickguard redone to hide routes and put some Chromes on. I'm not completely finished tinkering with this thing, but it's definitely close. It's mean as hell, and despite it's reverent looks, it sounds anything but. I run the WRHB on 250K pots instead of the original 1 meg, it's dark and growly but polks through in the mids likely because of it's positioning closer to the bridge.
I call it my Pray TK. Or the DATK Star. Or the DarKaster.
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When I say *I* did anything to this bass, I mean a luthier or 2 I pay.