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Let's See Your Hot-Rodded Cheapo Basses!

Samick from decades past ... $220 at Starving Musician Berkeley around 2005, (Maybe that doesn't qualify as cheapo in inflation adjusted $...)

and yes, i put on medium scale strings on 34" on purpose, of course i did

Duncan pickups, new Gotoh tuners identical to old worn ones, $$ to have fingerboard planed and fairly involved setup done which was worth every penny. Sounds great, roundwounds will never touch the beautiful rosewood (i have another rosewood fingerboard neck in the mail to wear rounds)

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Samick from decades past ... $220 at Starving Musician Berkeley around 2005, (Maybe that doesn't qualify as cheapo in inflation adjusted $...)

and yes, i put on medium scale strings on 34" on purpose, of course i did

Duncan pickups, new Gotoh tuners identical to old worn ones, $$ to have fingerboard planed and fairly involved setup done which was worth every penny. Sounds great, roundwounds will never touch the beautiful rosewood (i have another rosewood fingerboard neck in the mail to wear rounds)

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Swap the hardware for gold, put some frets on there, and you’d have my first bass! I traded toward a Jackson Concert EX within about a year, but in hindsight that was probably a lateral move rather than an improvement—they were both quite good.

As for rosewood, I still shake my head about how everyone thinks so highly of it now. Any not-high-end instrument that didn’t have maple had rosewood in the ‘90s, and I don’t remember anyone getting excited about it. If you ever saw pau ferro then, you saw that on the high-end instruments 🙃 I guess most people just coveted what they couldn’t easily have while trade in rosewood was more restricted more recently and it still doesn’t feel ordinary. You do have a lovely piece on that one 👍
 
As for rosewood, I still shake my head about how everyone thinks so highly of it now. Any not-high-end instrument that didn’t have maple had rosewood in the ‘90s, and I don’t remember anyone getting excited about it. If you ever saw pau ferro then, you saw that on the high-end instruments 🙃 I guess most people just coveted what they couldn’t easily have while trade in rosewood was more restricted more recently and it still doesn’t feel ordinary.
I've noticed a similar thing. When I first discovered Warmoth...probably around 2013 or so...pau ferro was an option they charged a little bit more for. But, when Fender embraced it due to CITES restrictions, all of a sudden a lot of people here on TB started getting all "cork sniffy". :facepalm:
 
I've noticed a similar thing. When I first discovered Warmoth...probably around 2013 or so...pau ferro was an option they charged a little bit more for. But, when Fender embraced it due to CITES restrictions, all of a sudden a lot of people here on TB started getting all "cork sniffy". :facepalm:
Not just on here—for once 😆
 
My updated "family" shot of cheapo basses. The most "expensive" purchase price was the 2nd one in line that was hand painted by my daughter, about $250 in parts from various sources and assembled. I don't have more than $400 invested in any of them but over time have learned alot and made changes to make them unique and good players. All get gigged. I love painted headstocks too. :thumbsup:

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1991 FSO Cort. $75 Rescued from under a bed in Vale Colorado, ebay quicksale 25 years ago, uncased totally rancid. Removed the DNA, gutted it, coppered the cavities and under the scratch plate... EMG passive, birdshead knobs, shimmed the neck with an Ace of Spades, graphtech rollers, has a few dings, original Fender specs on the wide P neck... LaBella flats, my workhorse.
 

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I've noticed a similar thing. When I first discovered Warmoth...probably around 2013 or so...pau ferro was an option they charged a little bit more for. But, when Fender embraced it due to CITES restrictions, all of a sudden a lot of people here on TB started getting all "cork sniffy". :facepalm:
Swap the hardware for gold, put some frets on there, and you’d have my first bass! I traded toward a Jackson Concert EX within about a year, but in hindsight that was probably a lateral move rather than an improvement—they were both quite good.

As for rosewood, I still shake my head about how everyone thinks so highly of it now. Any not-high-end instrument that didn’t have maple had rosewood in the ‘90s, and I don’t remember anyone getting excited about it. If you ever saw pau ferro then, you saw that on the high-end instruments 🙃 I guess most people just coveted what they couldn’t easily have while trade in rosewood was more restricted more recently and it still doesn’t feel ordinary. You do have a lovely piece on that one 👍
I've noticed this too, there seems to be an awful number of posts on here just lately drooling over rosewood or some other fingerboard materials, it just doesn't matter to me what the fingerboard is made of, it's what the guitar sounds like to me that matters. :thumbsup:
 
Well since I've posted that reply on here, I really must join the fun too. I'm a bit of a nutter when it comes to modding cheap guitars. It all started because of this place...
My boyhood dream guitar is a 4001/4003 fireglo but there's no way ever I can justify spending that kind of money for my bedroom noodling activities, I've a lot better things to spend that kind of money on in the home. Back in 2020 or so I saw the Harley Benton RB-414 talked quite a bit about on here and it had the looks(ish) of the rick. It took me all of 3 seconds to buy one from Thomann and this got me into Harley Bentons and modding them a bit.
I'm not going to discuss the RB as that deserves a chapter on it's own, suffice to say the money I spent on it could've gone a quarter of the way to buying a real rick! I've since learned my lesson but it was a fun project and I leaned a lot cutting my teeth on that one.
The next guitar I bought was a Harley Benton JB-75 jazz, rather like young @SeaDunk 's guitar he posted on this thread a couple pages back. I started with a bwb pickguard as the stock pg was single ply black and didn't look that nice. I stripped the lacquer of the body and bought it to natural wood then osmo'd the body. Copper shielded the cavities, CTS pots, Orange Drop and S/Craft jack sockets then added Schaller tuners to it. Honestly though this bass is very heavy something like 13lbs. Last year I decided the body had to go to reduce weight a little so I found an olympic white body (I think from Northwest Guitars - might be wrong there, but an online UK shop anyway). Fully shielded, then put the pickups and electrics back in then ordered a pearl pickguard. I did some work on the neck as it was starting to sprout a bit, did a level, crown polish and edge file and that's my FrankenJbass.
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Moving on to a little Bronco, I bought this for my son about 2003 but TBF he didn't really take to playing bass, so it stayed in his room till we moved house then ended up in the garage of the next house then finally in the garage of this house. Last Summer I fetched it out, stripped it down then used a very light polishing compound with my DA car polisher to bring it back to what is was. The one thing I could not bring back was the white pickguard that had naturally yellowed with age. I ordered a new BWB pickguard from an online place that took the old one as a pattern. At the same time of stripping the guitar down I saw the pickup in these are a 6 string strat pickup. I decided to buy a better pickup and settled on the McNelly as the importer lives about 30 min drive from me. While I was there I snagged a couple of CTS pots, a "mustard" cap and switchcraft jack socket, couple of white "cupcake" knobs and some roto flats. Fully copper shielded the guitar then I bought some Gotoh tuners from a guy off here (had to open the holes in the headstock up a bit) and finally a Sung Il bridge to complete the black hardware. It reminds me of one of those plastic Bomtempi kids toys, but I love it. Anyway, it's going back to it's rightful owner now he's bought his own house, he wants it back :sour:
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Next we have a Harley Benton PB-50 vintage P-bass and a Squier Rascal. The PB-50 is a revelation! The stock Roswell pickup is mad, this guitar is one of the cheapest HB do but it's probably one of their best in terms of bangs for bucks. It sounds amazing. Obligatory shielding for the big hearted single coil, CTS pots and Sprague cap. Eye candy (ashtrays) courtesy of my friend @Wyrdlow, the template for the tele headsock came from a certain @kodiakblair. Both these guys posted them to me free of charge, and neither wanted any money for the items albeit I made a charity donation at the request of Davie.
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The Rascal I took the neck off and sanded the back as I don't like the gloss neck, it's now satin. The gubbins has been replaced with CTS again and a Sprague cap. The 3-way selector switch has now been consigned to Room 101 and replaced with a blend knob. Elixir strings have gone on it just to be different, a lot of Rascal owners change to flats, I'm using rounds and they sound incredible.
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Yeah, it's got Humbuckers so the shielding is sorta redundant, but if'n in the future I find some big 'ol single coils thay I fancy and will fit, at least it's future proofed, anyway it doesn't hurt and the tape is 3 parts of eff all and I like doing it.

Apart from one guitar you may have noticed in the first pic none of my guitars have cost me more than £425, most a damned sight less. I like it, it's fun and above all, keeps me out of mischief.
 
OK I'm on a roll, got a couple of beers next to me, it's teatime soon but I reckon I got 1/2 an hour.
The infamous RB-414. I alluded to this in the post above. This guitar cost me an arm and a leg to do up. Well it was a few years ago when I was a bit more naive and having been on here, I got the bug, that heady feeling I can make a cheap guitar into a great guitar out of nothing but bolt on bits. This project turned out to be one of my first and most expensive. I'm not gonna lie, I actually think this guitar sounds awesome - I've never played a real rick but I reckon it'd get closer that a Chinabacker and sounds a lot better than the stock HB. Is it worth it, to me yes, this was the modding platform that went out of control but without asking questions on here in that journey I would still be ignorant.
Anyway here's the guitar..
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I started off with the Schallers. £95
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The horrible bridge had to go so I got the Hipshot Rick Replacement I saw on Ebay from a guy in LA, I think £140.
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The bridge was made for a Rick, the HB's neck was slightly higher that the Rick, so I bought some 3mm ally plate and made my own shim to lift the bridge. £15 off amazon, and a day later...
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I also had issues with the saddle screws as the Hipshot grub screws we're still not giving me the height I needed to fully stop the buzz, contacting Hipshot they gave me the imperial sizes, very rare in the UK so a pack of 10 slightly longer screws cost me £10.

Then - electrics. I must've bought about10 CTS pots over a period, getting confused with linear and log, and 250k and 500k. Sprague cap, S/Craft Switch and Jack socket.
So we're onto pickups. Well I'm now going the whole kaboodle. I didn't like the stock bridge pickup just too weak and I got the Retrovibe "Slim Jim" drop in Rick replacement and that really bought out the sound. £75
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The stock neck pup was an Artec and I have to be honest I really liked this pickup, however being a newb I wondered if a Filtertron type would work better?
Here we go, not a proper Gretsch but a Roswell which I have immense respect for for quality and budget. This did add a completely different complexion to the sound though, I really like it but it's not for everyone. £40

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Well, at that stage I think I've cracked it, however this bass is wired like a Gibson, not like a Rick. If you switch the selector into both pickups turning down any pickup will kill the signal on both pickups. So.. Asked on here again and a really kind guy @HHudson - I fear something has happened to him , I lost contact with him Xmas 2023, but he took me through the wiring on PM's, burned out a few pots with my crap soldering skills, bought more until finally Xmas Eve 2023. This guitar was where I wanted it to be.
There was some fret sprout and the plastic nut broke off at the E string, so I took it to a local luthier to fix the nut and level, file and crown. He replaced the nut with a Graphtec.£100.
I can do all of this now I'm older and wiser.
But the journey has been fun and I've learned so much. And yes I don't think I'd get any of my money back if I was to sell it - and I won't be doing that - but what I've learned over the last few years has been priceless.
 
1991 FSO Cort. $75 Rescued from under a bed in Vale Colorado, ebay quicksale 25 years ago, uncased totally rancid. Removed the DNA, gutted it, coppered the cavities and under the scratch plate... EMG passive, birdshead knobs, shimmed the neck with an Ace of Spades, graphtech rollers, has a few dings, original Fender specs on the wide P neck... LaBella flats, my workhorse.
Ha! I used to live not far from Vale about a thousand years ago!¹ As far as I'm concerned, spiriting anything away from that region is some form of a "rescue"! For that service alone, well done!

Oh, and the bass is cool, too!

¹: Okay, not exactly a thousand, but I can say when I lived out there, that Cort bass was either curing lumber or was still a tree!
 
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PENALTY! OVERUSE OF LOCALIZED SLANG! TEN YARDS AND AN EXPLANATION! 😆

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Sorry - penalty accepted 😥 - Osmo Oil mate.

 
I present to you my black Ibanez GSR100EX. It was $199 at Sweetwater when I bought it about 9 months ago. Out of the box, it was almost perfect. The setup was great and it sounds wonderful. I did add some things to the bass though. I had some black oversize strap buttons laying around so I installed those. I then put some black Gotoh GB707 tuners on the bass (around $55). Next I had some Xentric clear black flake knobs (around $20) laying around that looks great on the bass. I knew I was limited on drop in options for the bridge, so I found a nice black GSR bridge on Reverb ($50). For around $320, I have a very nice sounding passive Ibanez bass. I think it's way better than the spaghetti neck Ibanez SR300s that are out there (I've owned several and the necks were very unstable).

The 2006 Red MIK Ibanez SR500 was an extremely lucky find. I posted a loaded Wenge Warmoth bass neck for sale on TB over a year ago. A guy offered the SR500 for trade. I accepted and have not been disappointed as this is one of the best basses I've ever owned. It has a Wenge neck with Bubinga Stringers and has been rock solid! The previous owner put a new stock Ibanez Preamp that goes in the SR300s up to the premium Ibbys. I put a set of Cosmo Black Gotoh GB707 tuners and some red Xentric knobs that match the bass perfectly. I play the bass with flats and the preamp really makes the bass sound great! All in all I have 2 great Ibanez basses that are a joy to play.

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I present to you my black Ibanez GSR100EX. It was $199 at Sweetwater when I bought it about 9 months ago. Out of the box, it was almost perfect. The setup was great and it sounds wonderful. I did add some things to the bass though. I had some black oversize strap buttons laying around so I installed those. I then put some black Gotoh GB707 tuners on the bass (around $55). Next I had some Xentric clear black flake knobs (around $20) laying around that looks great on the bass. I knew I was limited on drop in options for the bridge, so I found a nice black GSR bridge on Reverb ($50). For around $320, I have a very nice sounding passive Ibanez bass. I think it's way better than the spaghetti neck Ibanez SR300s that are out there (I've owned several and the necks were very unstable).

The 2006 Red MIK Ibanez SR500 was an extremely lucky find. I posted a loaded Wenge Warmoth bass neck for sale on TB over a year ago. A guy offered the SR500 for trade. I accepted and have not been disappointed as this is one of the best basses I've ever owned. It has a Wenge neck with Bubinga Stringers and has been rock solid! The previous owner put a new stock Ibanez Preamp that goes in the SR300s up to the premium Ibbys. I put a set of Cosmo Black Gotoh GB707 tuners and some red Xentric knobs that match the bass perfectly. I play the bass with flats and the preamp really makes the bass sound great! All in all I have 2 great Ibanez basses that are a joy to play.

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Six years and several basses after starting this thread, I still think these Gotoh tuning machines look so cool. The standard clover keys are ubiquitous enough that they generally don't bother me but I still prefer the look of just about anything else. I kind of want a Hagstrom just for the sweet tuning machines 😁
 

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