The term "Back Beat" is derived from the early practice of having drum heads self-made by the percussionists themselves, each from his or her own hide along the spine and surrounding rib cage through self-flagellation.
As these skins were fragile, they often broke before the drummer's back was healed and new material could be obtained; with other parts of the body too small to obtain a drum-sized graft from, drummers had to find surrogate "donators". However having a drum NOT made of one's own skin was seen as dishonourable.
When synthetics were introduced, it changed attitudes and opinions. A new generation of drummers looked down on those still flogging themselves to obtain enough skin to make their drum-heads, and the old guard of natural-skinners rejected the synthetics while lamenting the loss of age-old traditions.
This acceptance by the new young guard of synthetic drum-heads and associated rejection of natural-skinned drums brought about a renaissance in rhythms, new beats and new-found power...
...not to mention giving rise to the phrase, to gain cred, "Hey, that's no skin off my back".
As these skins were fragile, they often broke before the drummer's back was healed and new material could be obtained; with other parts of the body too small to obtain a drum-sized graft from, drummers had to find surrogate "donators". However having a drum NOT made of one's own skin was seen as dishonourable.
When synthetics were introduced, it changed attitudes and opinions. A new generation of drummers looked down on those still flogging themselves to obtain enough skin to make their drum-heads, and the old guard of natural-skinners rejected the synthetics while lamenting the loss of age-old traditions.
This acceptance by the new young guard of synthetic drum-heads and associated rejection of natural-skinned drums brought about a renaissance in rhythms, new beats and new-found power...
...not to mention giving rise to the phrase, to gain cred, "Hey, that's no skin off my back".