Am I the only one who thinks it's hilarious that the guy has a strict 35 and under policy when his music sounds like it should be playing on a Chapel Hill college station at 2am on a wednesday in 1986? Don't get me wrong, it's well done, but that's the vibe it has. And all the dudes that know that stuff like the back of their hand and love it and are proficient in it are 45+. Those are the guys he should be looking for because they've been playing this stuff for 30 years and HAVE all the cool old gear like old Rics and Gretsches, and Slingerlands, etc... because that's what they grew up with (or always wanted and could eventually afford).
I
fully realize I am going to sound like those mid 90's grunge bands who CLAIM they were inspired by the Beatles, Led Zeppelin, and Pink Floyd but were REALLY just trying to copy Nirvana or Pearl Jam...but here goes...
I am unashamedly citing bands like The Smiths and Modest Mouse as who I come off sounding more like, but I was heavily inspired by The Byrds, The Beatles, and The Lovin' Spoonful as well. My guitar skills are nowhere near Roger McGuinn or any of the others mentioned prior, but I dig the tone and think it can have a big impact on how the song is taken in by the average listener. However the style I'm going for here is Indie music, which is a
vast change from what I used to play. Here's a clip of the kind of stuff I used to record and play:
The Indie stuff started as a joke with my roommate who loves the stuff. It actually grew on me when I started listening to artists like Cut Off Your Hands, Modest Mouse, Foals, Mew, Maps and Atlases, etc. Not being insulting, but it sounds like you may not be familiar with the genre and what it has morphed into the past few years. I'm doing my own thing as far as writing goes, but I am
far from groundbreaking or anything super unique by any stretch of the imagination.
It's like if you wanted to play lawrence welk tunes, BUT ONLY GUYS UNDER 50, OK? When it's like the 70+ crowd that would be into that and actually have the vocabulary to pull it off.
Also yeah, too many limitations in the ad. You have to allow people to imagine themselves in your group, and most people don't have imaginations that good. So you keep things open ended to get people in the door, and then you raise the standards as the level of commitment goes up. So for instance basically email with anybody (as long as they're not way off in left field), talk on the phone with people who seem like they might fit, audition people who seem promising, and invite the people who are what you're looking for to join. Each stage has an appropriate level of selection specificity. So if you bungle that in either direction, you're headed for disaster and/or disappointment one way or another.
Showing my age here...never listened to Lawrence Welk
Hand up, swearing on whatever is holiest to all of us bass players (Jamerson's Funk Machine, maybe?). I had a reply from a 22 year old guitarist today, turns out he's a jazz student at U of H and likes the music. He told me (paraphrased) that he actually
liked that I was so detailed. He said it showed I was serious, had an actual plan, knew what I wanted to accomplish, and put the work in to figure out what it took to make it happen. I realize he is probably the unicorn in the desert here, but after we spoke on the phone for about an hour he was very excited and we are going to meet up this Friday night. Probably turning some people off with my detailedness, but I may have never had a jazz student reply if I hadn't been so detailed. Just food for thought.