• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Load Box Attenuator for Ampeg V4B

Thanks for weighing in - good to know, will definitely look into this more - however I am pretty certain than unless you are running the V4B absolutely full tilt, the Captor should be fine with this.
It's good to learn what the terminology means and the math behind it, it helps to clarify the information being presented.
 
130V, I don’t think so…
I meant to write watts, which now appears equally wrong. I used AI to check my memory. AI (below) and my memory scored roughly equally on this one. …fail. Thanks all.

AI Overview:
“When an Ampeg V-4B is pushed hard enough to enter output-stage distortion and power-tube saturation, it is entirely capable of producing 130 watts or more of output power.”
 
Last edited:
  • Haha
Reactions: agedhorse
I meant to write watts, which now appears equally wrong. I used AI to check my memory. AI (below) and my memory scored roughly equally on this one. …fail. Thanks all.

AI Overview:
“When an Ampeg V-4B is pushed hard enough to enter output-stage distortion and power-tube saturation, it is entirely capable of producing 130 watts or more of output power.”
Ahhh, that makes more sense.

If you push the amp hard enough into clipping, it may very well produce 130 watts. It will also be quite hard on the power tubes.
 
  • Like
Reactions: rodl2005
Ahhh, that makes more sense.

If you push the amp hard enough into clipping, it may very well produce 130 watts. It will also be quite hard on the power tubes.
From the OP:

“Does anyone have recommendations for a load box attenuator that can handle an Ampeg V4B cranked? My understanding is that the common 100W-rated units risk damage from output spikes with the amp all the way up.”

Resting my case…
 
From the OP:

“Does anyone have recommendations for a load box attenuator that can handle an Ampeg V4B cranked? My understanding is that the common 100W-rated units risk damage from output spikes with the amp all the way up.”

Resting my case…
If "cranked", then I would consider the 130 watts RMS as a good working value PLUS the reduction in duty cycle/crest factor due to the effective compression that will be occurring (which will increase the effective power delivered over time). The derating factors will be known only by the manufacturers of these load boxes.
 
There are a lot of misconceptions about using tube amps with attenuators. Check out the video below by Steve Fryette who has been designing tube amps for decades and he also makes the Power Station attenuator. I'm a lead guitarist and have been using attenuators for decades with many 100 watt amps. The first things to keep in mind when driving any tube amp into clipping for extended periods of time are the following:

The amp should be in perfect working order. (If it's an older amp a technician should service the amp to make sure that it is.) Matched and properly biased tubes, impedance on the amp and speaker matched correctly, properly working speaker cab and a good quality "speaker cable." The easiest way to blow an amp is to use an instrument cable instead of a speaker cable.

With all that out of the way keep in mind that driving the amp continuously into clipping will wear out the tubes faster. Using an attenuator will make it much easier to do that because the ability to generate "output stage distortion" no longer requires high volume levels to achieve that. Output tubes are expensive so keep that in mind.

 
There are a lot of misconceptions about using tube amps with attenuators. Check out the video below by Steve Fryette who has been designing tube amps for decades and he also makes the Power Station attenuator. I'm a lead guitarist and have been using attenuators for decades with many 100 watt amps. The first things to keep in mind when driving any tube amp into clipping for extended periods of time are the following:

The amp should be in perfect working order. (If it's an older amp a technician should service the amp to make sure that it is.) Matched and properly biased tubes, impedance on the amp and speaker matched correctly, properly working speaker cab and a good quality "speaker cable." The easiest way to blow an amp is to use an instrument cable instead of a speaker cable.

With all that out of the way keep in mind that driving the amp continuously into clipping will wear out the tubes faster. Using an attenuator will make it much easier to do that because the ability to generate "output stage distortion" no longer requires high volume levels to achieve that. Output tubes are expensive so keep that in mind.


Very informative. I watched the whole thing. Thank you!
 
  • Like
Reactions: rodl2005
Someone already beat me to it, I'd check out the Fryette power station, it's the only guitar attenuator that I've heard that sounded correct, probably due to driving the speaker directly from the Fryette's tube amp. Unfortunately I do not know the performance with a bass. They work fine with the 100watt guitar heads, so I don't think power handling will be an issue. I did find tests of the reactive load on a Fryette unit. The simulated impedance will be off on the low end. The Fryette units has the impedance peak between 100 and 200 hz. A sealed bass cab would likely have an impedance peak in the 60-90 hz range, and a ported box will have two peaks one below the port tuning and one above.
Link to the other forum.
 

Attachments

  • B953A398-9FAD-4595-8368-3D94E45EF8A5.jpeg
    B953A398-9FAD-4595-8368-3D94E45EF8A5.jpeg
    234.8 KB · Views: 7
  • Like
Reactions: Kindness
Someone already beat me to it, I'd check out the Fryette power station, it's the only guitar attenuator that I've heard that sounded correct, probably due to driving the speaker directly from the Fryette's tube amp. Unfortunately I do not know the performance with a bass. They work fine with the 100watt guitar heads, so I don't think power handling will be an issue. I did find tests of the reactive load on a Fryette unit. The simulated impedance will be off on the low end. The Fryette units has the impedance peak between 100 and 200 hz. A sealed bass cab would likely have an impedance peak in the 60-90 hz range, and a ported box will have two peaks one below the port tuning and one above.
Link to the other forum.
Ah, yeah that makes sense. I wonder if it would sound better with both of the reactive switches set to “flat”.