Have you tried Levinson Blade? They're A Swiss based company that make great Jazz basses and they have good distribution in Europe.
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I wish more people understood this, rather than hating on an entire brand, or line, because of a few poorly setup off-the-rack examples.
AlexanderB said:Thanks for all the comments! It seems that some (discriminating) people here know exactly what I mean!
I even brought a couple of the basses home with me and spent more time with then (including a full setup); the Geddy Lee and the RBX4 A2.
The Geddy Lee (MIJ) developed a dead spot in the common position + a truss rod rattle once I set the relief to Fender's spec. (It was way off from the box.) The neck also had a mild case of ski-jump so the strings could not be lowered to spec (where is where I prefer them) without rattling when playing the upper frets. Neck was very unstable and flexed a lot. My JV neck is only slightly thicker but much stiffer in comparison.
RBX4 A2 is a very intresting instrument. Open strings sound very good and sustain well, fretted notes up to fifth, sixth fret still sound good but then the tone gets gradually duller and worse. It is also suffers from dead-ish spots/range in the same style many Fender Jazzes do. Not just at the G-string but the corresponding notes on D and A. In general the bass sounded more and more bland the higher notes one played. Bottom end and low mids were also much less authoritative than any Fender I have heard.
Both the GL and Yamaha had a different voicing of the PU than I prefer. To "throaty" and dark, especially compared to the 2012 Jazzes. Those CS PU are good - I really agree with you on that.
By the way, I did also try the MIM 60s Classic and felt it equally lacking.
I guess I will try to find a second hand G&L or Lakland then. Or to look for a vintage Squier or Fender.
Nobody has asked the obvious questions yet: for one, what guitar shop is letting you take these basses home? And maybe more alarming: who is letting you adjust truss rods, string height, etc. on their basses??
I am looking for a new Jazz bass but I can not find any good instruments. What I want is a traditional four string, two passive single coils, no preamp, narrow and thin neck.
It does not have to be a Fender but I started by playing as many of their models as possible.
Then I widened my search and looked at Sandberg, Ibanez, Yamaha etc.
There was not ONE bass I wanted. Not one. And the problem is the same for all of them. They all sound "dead" - no resonanse, no "life" to the tone, many with pronounced dead spot issues to boot.
I spent at least a couple of hours and tried the lot; American Standard Jazz, Geddy Lee, Aerodyne, Roadworn, Mexican Standard, -75VRI (ash) + the Yamaha RB..., BB and RBX4 A2 etc etc. I played through the same amp/speaker setup I use at home. (LMII + Ampeg SVT-410HLF.) I adjusted string height to my preferences on the basses I hade some interest in, BTW.
The Fender basses I already own (Squier JV -82 Precision, Fender Jazz bass Plus V -94) are so much better it is not even funny, especially the Squier. It really sings in every position on the fretboard, has lots of sustain and almost no dead spot. Those of you that have played good vintage basses know exactly what it is like!
I had brought my JV to the shop for reference and the sales guy tried it and could only agree - he had nothing to match its quality and tone. And no, he could not buy it...
Where should I go next? Suggestions?
Price wise I do not really want to go higher than the Swedish price of the American Standard, about 1500.
Should I forget about new instruments and look for a vintage one? Or will a current, dead-ish Jazz develop into a more resonant instrument by use and time?
Sounds like the OP doesn't like jazz basses. I'd suggest buying something else.
Munjibunga said:Sounds like the OP doesn't like jazz basses. I'd suggest buying something else.
cfsporn said:The best jazz I have ever played is a Lakland Skyline 44-60. It looks good too!
What's the average price for a 5 string?