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Looking for a combo for my studio. Help!!!

M

metanoiastudios

Dec 1, 2010
7
0
#1
Ok, I've narrowed it down to the following options:

Carvin MB12 or Carvin MB15
http://www.sweetwater.com/store/detail/BG500210/

Ashdown MAG C210T-300 EVO II Combo
http://www.ashdownmusic.com/bass/detail.asp?ID=78

TC Electronic BG500 - 210
http://www.sweetwater.com/store/detail/MB112/

Gallien Krueger MB112
Invalid Link Removed

I'm not looking for loudness, here...I am looking for the most high-quality and versatile combo for under $800. Also, small is good, as I don't have a lot of room to work with.

Thanks!!
Paulo
 
#4
leegreenman said:
http://bass-guitars.musiciansfriend...-Mini-CMD-121P-1x12-Bass-Combo-Amp?sku=481792
A little more than you are looking to spend, but I'm sure there is a promo code to be found somewhere. I recently pick one up and I really love it. I do feel a bit sickened by spending so much on a 1X12 combo though
I played the Carvin, but wasn't thrilled with it. I'd say the GK is a great option for such a low price.
Click to expand...

Out of curiosity, what didn't you like about the Carvin?
 
#5
I know you said you aren't looking for volume, but it seemed really quiet to me. The overall sound seemed a bit too clean and it seemed to lack the old school thump I like. It's all a matter of taste though. It wasn't a bad sounding amp just not what I was looking for.
 
#7
If you'll actually be recording the sound from the amp (vs going exclusively direct), you need to take a minute and assess the qualities you'll most likely be needing. Then, find a store that has several of the ones that fit your size/price range, and audition each one (preferably in a quiet room). One burden that is lifted is guessing if will have enough power/volume for stage use. Tone and versatility will be your primary concerns.

For instance, anticipate the different styles of music you may be recording. One session may be smooth, jazzy type tunes, then another could be balls to the wall rock, so you'll need an amp that can go from clean to snarly and still sound good. Listen closely to see if there's any excessive hum or hiss, since this would be masked onstage by ambient sounds, but can drive you insane in the studio. Also check the tone controls when set at neutral ("flat"), and then each band individually boosted or cut to see what sonic properties it will contribute. Also check specialized features such as enhance, contour, octavizer, etc. As I said, if you're lucky enough to find more than one candidate at a store, it can be of great value to you.

All this is stuff you probably already know but its just a couple of things that you might give some thought to. A live rig is, IMO, not as critical since the performance is "in the moment" then gone, but once it's "on tape" (forgive the antiquated phrase), it's there in perpetuity.

Just my thoughts on the subject 'cause I wouldn't think of telling you what amp to go out and buy.....;)
 

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