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Looking for a go-anywhere rehearsal combo

I see the older model has a very small tilt back surface, is that the one you have? The new version2 lays on its side for use as a wedge. I've only used the biggest BA combo but it was perfectly stable. Not doubting you at all, that older one does look like a precarious design, and I'm curious what could break from such a small amp falling over?

I can't remember, but it shattered something inside and it cost me $160 to fix it. And then it fell over again, and now the Line Out doesn't work and it's quieter than it was. I'm tossing it. Done.

Here is something I'm considering -- I have a GK 400RB head. I was going to use it with this:

Amazon.com: Eden EX110-4-U Bass Cabinet: Musical Instruments

There is also a 12" model and they are available in 4 and 8 ohms.

Reviews are great and I've always liked the sound of Edens.
 
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I can't remember, but it shattered something inside and it cost me $160 to fix it. And then it fell over again, and now the Line Out doesn't work and it's quieter than it was. I'm tossing it. Done.

Completely inexcusable, can't blame you for abandoning the brand but it looks like they have addressed the issue with their current designs.

You know what I've been hankering to try as a tiny rehearsal/small gig box? This one, with whizzer and tweeter, 4 ohms available, I've seen almost no mention of it on these pages: Invalid Link Removed
 
I think you may have played an older version as there is no contour knob on a Rumble V3 amp. There is a button - meaning it is either on or off. I believe that is what ubernator was referring to.

Yeah it was a button, was still working on my first cup of coffee as I typed that hence the mixup lol. This was the v3, it was black with the silverface grill.
 
Contour = scoop. If you want punchy mids, do not push that button

Please refer to previous replies, the mixup was my calling it a knob and not a button, I used the amp with it on and off and the baked-in scoop was still present. In my original reply, I outlined that this was originally experienced with a set of Fender Rumble v3 1x15 cabinets. Fairly certain the contour button was off on those :smug:
 
I need some advice here. I'm about to buy one of two amp setups.
1) v3 rumble 500 combo for $390
(Planning on adding a 112 or 210 later)
The guy is also selling a Carvin RL410T to add on for ~$130
2) ampeg B2-RE head and 410 HLF for $500

I'm in a punk band and my V2 Rumble 350 isn't cutting it anymore. Please help!
 
I need some advice here. I'm about to buy one of two amp setups.
1) v3 rumble 500 combo for $390
(Planning on adding a 112 or 210 later)
The guy is also selling a Carvin RL410T to add on for ~$130
2) ampeg B2-RE head and 410 HLF for $500

I'm in a punk band and my V2 Rumble 350 isn't cutting it anymore. Please help!
I suggest starting your own thread.

Still, I'd sell everything and get the 500 along with two vertically stacked 2x10s.

More speakers moving more air will make a bigger difference.

The vertical stack will have better FOH dispersion, less comb filtering and you'll be able to hear yyourself on stage better.
 
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I suggest starting your own thread.

Still, I'd sell everything and get the 500 along with two vertically stacked 2x10s.

More speakers moving more air will make a bigger difference.

The vertical stack will have better FOH dispersion, less comb filtering and you'll be able to hear yyourself on stage better.
How do you start your own thread? I've been looking all around and can't find the link to do that.
 
I
I suggest starting your own thread.

Still, I'd sell everything and get the 500 along with two vertically stacked 2x10s.

More speakers moving more air will make a bigger difference.

The vertical stack will have better FOH dispersion, less comb filtering and you'll be able to hear yyourself on stage better.
Good point! I think the two 210s stacked looks great and since its taller it'd be a monitor in itself!
 
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Let me give you a little help here, as well as a benefit to others who may have the same (or similar) question.

Your Shuttle effects send is a pre-master volume post everything else signal. For driving an external amp, it is ment to drive the stage at the input of the power amp before the slave amp's master volume control. MOST bass amps have a serial effects loop that is pre master volume, so the topology is the same at the Shuttle's and when you take the effects send of the Shuttle into the effects return of amp that's driving the speakers. The master volume of the second amp operates just like a normal master volume.

In the case of the Bassman 250, this amp uses a parallel effects loop. This means that there are 2 signal paths (primary or dry, and secondary or wet). There is a balance (blend) control that allows the user to choose between the two signal paths into the power amp. For this application, the balance control must be fully in the wet (or effects return jack) position for signal to pass properly. The master volume will then function as a typical master volume control. On the Bassman 250, as well as some other amps with a parallel loop, a better input to use is the aux input which is after the effects loop signal path, and using this, all you have to worry about is the master volume control.

Hope this helps.
You could probably power your 350 with the 500 effects send.

Also, the 500 puts out full power at 4 ohms so you'll be getting around 300 until you get the second cab.
 
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Practice went awesome btw. The 500 had much more low end compared to the 350. Still gonna need some time to dial it in but for the first practice, I was pleasantly surprised...
 
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