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Loud replaced my PF-50T

Oct 5, 2014
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Pacific Northwet
I bought my PF-50T almost 2 years ago. I never noticed at gigs, but at home it would sometimes hear it make a high pitched feedback-like sound. It seemed microphonic, so I assumed it was one of the preamp tubes. Being the procrastinator I am, I didn't get around to dealing with it until a few weeks ago.

I took the cage off and found if I tapped the 12AU7, I could hear it through the speaker. I installed a new 12AU7 and it didn't change.
I swapped in a different 12AX7 to both positions, just in case - and still no change.

The Ampeg warranty is 2 years for the amp and 90 days for tubes, so I thought I might as well bring it in for service before the warranty ran out. I was thinking the worst case scenario would be that my replacement 12AU7 had the same fault as the original and I would get charged for a tube.

I brought into L&M, they shipped it to Loud and 10 days later I got a call from the L&M service department to tell me Loud had replaced my amp with a new one. I went in to pick it up today, and sure enough they handed me a brand new one in a sealed box.

The L&M guy said I should have the same warranty on this one - not sure if that's true, but I won't argue if it is...

There was no explanation given of what the problem with the original one was. Anybody have an idea why they would opt to ship a new amp rather than fix mine?

In any case, I think that's pretty good service from Loud and I will be putting the new amp through it's paces over the next couple of days.
 
I had a (new) Mackie ProDX8 mixer... stopped working when it was about 6 mos. old- contacted Loud. They sent a return label- then followed up with an email saying not to bother returning- they just send out replacements for those units. (I actually sold both here on TB- the buyer of the ‘broken’ one said it was just a wire that came loose... I didn’t really need ot or I might have attempted to repair it...)
 
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Anybody have an idea why they would opt to ship a new amp rather than fix mine?
Some faults are easier to trace than others. Do you pay the technician for five hour's work or exchange the amp?

These are neither more difficult or easier to work on than most amplifiers. In my opinion they are well made; the mechanical and industrial design is very nice.

Having said that, the hum level is too high for something that has recording-friendly features like the "transformer" balanced output. I guess there will always be those who say they can't hear it but what's the harm in reducing it by around 20 dB if you can?
 
Some faults are easier to trace than others. Do you pay the technician for five hour's work or exchange the amp?

These are neither more difficult or easier to work on than most amplifiers. In my opinion they are well made; the mechanical and industrial design is very nice.

Having said that, the hum level is too high for something that has recording-friendly features like the "transformer" balanced output. I guess there will always be those who say they can't hear it but what's the harm in reducing it by around 20 dB if you can?

I’m debating whether to do the mod or wait until the warranty runs out. (Another 2 years) It would be nice to record with it.
 
My new one hums just like old one. I tried another new one at L&M and it also hummed. You don’t hear it if you’re in a quiet room?

Why do you have two?
I got mine while the rebate was going on plus the retailer I bought them from knocked about 72 bucks off the street price. Got one and liked it so much I got another one.

I have never noticed any hum in my practice room. If any is there it certainly isn't enough to get my attention.