Do you ever feel any pangs of guilt when you buy a bass (or amp) that was not made in the United States?
I don't live in the USA, so no.
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Do you ever feel any pangs of guilt when you buy a bass (or amp) that was not made in the United States?
Do you ever feel any pangs of guilt when you buy a bass (or amp) that was not made in the United States?
Growing up, a USA Fender was the gold standard we all drooled after. While I have nothing against non-USA basses, and will play whatever works(I own a MIJ), there is still a small part of me that prefers/covets a USA made Fender bass.
That probably accounts for a lot of it. British brands in the '50s and '60s were pretty rough compared to Fender. A red Hank Marvin Strat was the gold standard for guitars in Britain in 1962. So much, in fact, that some brands like Watkins simply made Red Strat-shaped guitars as substitutes. With all the will in the world Watkins weren't building guitars to the same standards as Fender.
Fender's trajectory is probably similar to the rise of rock 'n' roll during the same era, here in the UK. Plus, with the post war trade embargo in place, there would be something desirable about the unobtainable status of real Fender instruments. A Fenton Weil guitar was a poor substitute. Fender was the real thing.
What I find interesting is that Fender basses didn't pack the same punch in Europe in the '60s. Watch old live Beat Club clips from the '60s (when it was a live TV show broadcast from dance halls around Germany) and you see all sorts of Gibson basses alongside other brands; and Fender are just one of the pack. Fender's hegemony in bass land didn't really happen until the early '70s in the UK.
absolutely not, never, ever, not even once.Do you ever feel any pangs of guilt when you buy a bass (or amp) that was not made in the United States?
I understand your point of view and am not arguing against your logic. I will however add that it's not quite as simple as it might seem from the outside. China like in any country has a huge range of quality and cost options available from dirty and dangerous sweatshops to clean and safe factories where workers are treated as good or better than some North American factories. We work with the latter which costs more but means we get a better built bass by people who care about their employees. Add our own labor at this end and you end up with a bass which as you experienced is "expensive" for an import (still inexpensive for a boutique manufacturer though) but feels and performs at a level that you would expect from a North American made bass.
For me this was the 80's into the 90's and lots of players were switching to pointy headstocks. However, ironically at the time the MIJ Fenders were every bit as good if not better than the USA ones. My 1986 MIJ jazz bass is a fantastic instrument.Growing up, USA Fenders were the only Fenders around.
When I switched from guitar to bass in '64, the only basses were Fender with muffles and the Gibson EB-0 and EB-2. I could handle the weight and the EB-2 was so much prettier with a tone I liked better. Nothing else on the market.Growing up, USA Fenders were the only Fenders around.