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Major Breakthrough - Pick Playing

TBers -

I've been playing bass seriously for over 10 years - exclusively finger style, with some slap. Recently, I've been trying to incorporate pick playing into my skill set, especially after falling in love with my AVRI '63 P bass with flats. I've been struggling for months, but finally had a breakthrough.. Guess what, you don't have to kill it with your picking hand! I would say I have a moderately aggressive finger style and I suppose I transferred that to pick playing. I found myself cramping holding the pick and not being very fluid. I finally loosened up a little bit and focused on a more easy, fluid picking style and the light came on. I'm still working on it, but the lesson to folks in the same boat as me is loosen up and don't pick as hard. The volume will be there and you'll be better able to move across the strings.

LB
 
TBers -

I've been playing bass seriously for over 10 years - exclusively finger style, with some slap. Recently, I've been trying to incorporate pick playing into my skill set, especially after falling in love with my AVRI '63 P bass with flats. I've been struggling for months, but finally had a breakthrough.. Guess what, you don't have to kill it with your picking hand! I would say I have a moderately aggressive finger style and I suppose I transferred that to pick playing. I found myself cramping holding the pick and not being very fluid. I finally loosened up a little bit and focused on a more easy, fluid picking style and the light came on. I'm still working on it, but the lesson to folks in the same boat as me is loosen up and don't pick as hard. The volume will be there and you'll be better able to move across the strings.

LB

Using a pick while palm muting on a bass strung with Flats is a killer Punchy tone.

I like thick mandolin picks.
 
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FWIW, this approach applies itself to finger style as well.
I watched a Gary Willis video from years back. His approach is to crank the volume on the bass and let the amp do most of the output work. and use technique to control the muting and dampening. By lightly attacking the strings it helps to keep your hands relaxed and minimize fatique as you have done with your new Ah-Ha moment with the pick.

on topic. I like the triangle Dunlop 2.0 I believe it is. I have XL hands so big pick is easier to manage for me, plus digs in on the lower strings for those 8-16 note rhythms.
Once I switched to 5 string, the tighter spacing made it much easier to play with a pick, though I do mainly play/prefer finger style in most cases. but I cant deny the growl a pick can add to the sound of phat bass. coming from cover band back ground I needed to be flexible enough to switch from pick to fingers to "fit the song" during the gigs. :thumbsup:
 
I remember an old BP mag where Steve Swallow says the exact same thing about a light touch with a pick. Steve said he learned it watching Jerry Hahn play blazing guitar lines on his bass offstage. Same article has Chris Squire saying he does lots of palm-muting.

27 years ago I used a pick for my first year playing bass but shifted to fingers until tendonitis/bursitis took it's toll. Now I reserve fingers for walking and soloing - rest of the gig is mostly pick or slapping.
 
Pretty much an old dog finger style guy who took up learning pick style a couple of years ago.
After trying lots of different brands and styles have grown to like the Dunlop PrimeTone 1.5mm.
Little bit spendy, but feel really good!
 
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FWIW, this approach applies itself to finger style as well.<Snip>
on topic. I like the triangle Dunlop 2.0 I believe it is. <Snip> :thumbsup:

this is wrong, I grabbed my pick yesterday, its a "Clayton" 1.0mm triangle pick.
upload_2018-8-1_14-13-48.jpeg

Maybe I used to roll the Dunlop.. lol
 
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