I typically like maple boards- and increasingly maple with black binding and blocks. But the RW p is really starting to grow on me and i play it alot at my weekly church gig (or course now it has a tort pick guard!)
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The reason I prefer maple boards is that I can see black side dots on a maple board better on a dark stage than I can see white side dots on a rosewood board. YMMV.
This.
It really can make a big difference. I'm still trying to find a way to make the fret markers on my '85 Stingray rosewood board stand out... neon round stickers...?
This.
It really can make a big difference. I'm still trying to find a way to make the fret markers on my '85 Stingray rosewood board stand out... neon round stickers...?
Between the tone knobs on your bass and amp, you should easily be able to compensate for any difference in tone between fretboard woods (or body woods or strings or pickups).
no, you can not add what wasnt there to begin with.
tone knobs are not instrument modeling.
It's perfectly reasonable to argue that a finished fretboard has a different tone than an unfinished board, even on a fretted bass. And it's reasonable to argue otherwise.![]()
Having played & owned MIA P-basses of the same model with a rosewood board & maple board, it's all in the feel. There were no tonal differences at all, but the maple board felt harder &, to me, cheaper. :S
The reason I prefer maple boards is that I can see black side dots on a maple board better on a dark stage than I can see white side dots on a rosewood board. YMMV.
my roadw p (as you propably know)has a onepiece maple neck. I generally roll of the tone a bit and it sound very warm and rich. I also think rosewood has a slightly darker timber.
I'm still not certain that fingerboard wood makes as much of a difference on a fretted instrument as it may on a fretless instrument.
Maple MAY be "brighter" and "feel" different, but I'm not completely convinced.
My experience is that it does. I have 4 (actually more) SX J style basses in LPB. 2 with Rosewood boards (fretted and fretless) and 2 with maple boards (fretted and fretless). There was a definite audible brightness in both maple board basses.
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