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Maple Madness

I was just looking at my basses and realized that they had something in common, maple necks/fretboards. I guess I'm just drawn to a good old maple board.

There has been much debate about the difference in tone from maple, rosewood, ebony, etc. I don't know about that, all I do know is that I like the feel and look of a maple board. To me it's the original, since Leo's first production bass had a maple fretboard.

So, with that being said, let's see those basses with maple fretboards.

Here are my 3.

From top to bottom/left to right: Peavey T-40, Fender American vintage 57 reissue Precision bass, 2008 Fender American Jazz bass.

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I like Maple too. Most of my basses and guitars have maple necks.
Here's a few.
Lakland JO, 4-94, Skyline JO Musicman Stingray 20th Anniversary.
 

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Here are mine:
The one that started it all, the 51 P-Bass (Re-issue of course! Look familiar :smug:)
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83 P-Bass Elite
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91 P-Bass Deluxe Plus (22 frets!)
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200X G&L SB-2
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But all that being said, I prefer the Warmth & Depth of the Rosewood fingerboard. For the most part I use Maple to Heat the House!!! (See examples behind 2005 Roscoe Beck IV):hiding:
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I have always liked maple. Not because I perceive any tone difference but because when I look down the fretboard it is bright and much easier for me to see where I'm going. I have always like the feature over a dark board. The only dark boards I like are pure black ebony on a fretless with no lines.

The argument about if there is a tone difference is kind of mute these days because of the many different pickups, strings, preamps, and EQ on amps you can make what ever tone you like anyway.