Just curious if your CMD 121P's are Italian or Indonesian??
Mine’s about 6 years old,Italian origin. I also have an italian made 800 tube head,and a traveller 12 cab.
All have been very dependable,with no issues so far.
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Just curious if your CMD 121P's are Italian or Indonesian??
Mine’s about 6 years old,Italian origin. I also have an italian made 800 tube head,and a traveller 12 cab.
All have been very dependable,with no issues so far.
The 121H.
I have told most of my MarkBass (MB) story in a few other forums, but this thread looks like the best place to do a full confession, plus I think it will contribute a lot to answering your question. First of all, I don't have the expertise of a lot of the people on this forum, but my starting point is a corporate professional with a decent budget to burn for a hobby. I also have a very good ear with relative pitch, so I am picky about my sounds.
I started my MB trip when I decided to get a bass about six years ago. I had a decent amount of money, so I bought a $750 used six string, and a new CMD 121H, at which time GC was touting as the best brand out there. Since joining TB, I now doubt that was the case, but I did drink the Kool aid, and I am still filling my glass cause it is at a quality level that I have not outgrown and realistically never will. To insert a bit of honesty, I like to give my son bass gifts for his birthday and set him up over the years with a Fender Rumble 100 and a BTB 505. I am many times jealous of the sounds he gets out of his rig. (No, I don't need to adopt any of you out there. I have limits to my funds.)
When taking it to gigs, I found myself getting lost in the mix, but not being able to turn it up too much before it would distort. I found myself at near-full volume on my guitar, with pre-amp at a third, and my volume 3/4s, but still being lost. My B string never felt rich enough either. (I would say anemic.) I decided to extend it with a used NY 151 due to the lesser weight, but still high quality. (1 wish they still made the 151 front port cab, but who knows why they discontinued it. I would have then had a frequency response of around 33Hz. I think the NY 151 is around 36+hz. (I am being lazy on the facts.))
So now I have a 15, 12 and horn. I now have the watts and frequency range to reproduce all my strings at every fret, but I was also bored with sounds I was getting, plus I wasn't getting that initial hard thump/attack in the chest I wanted for just about every note, even at lower volumes. I happened to have a generic "Art" $50ish tube pre-amp from (GC seems to be a common thread here), so I put that inline. That gave me that warm punch I was looking for. The last two items I purchased was a Boss ME-50B which gives me the effects to switch up with, plus some more pre-amp. One last note: I noticed that once I adjusted my chain of effects and pre-amps to not clip, then no matter what master volume, even up to 100%, the speakers could handle it very cleanly. That is because each speaker set is rated at 400 watts. With 500 watts being split, they never get more than 250 each. I was very impressed with this setup.
View attachment 3075787 View attachment 3075788
Well, I used this thread as inspiration to trade some stuff in to GC and snag myself a Markbass amp.
I was torn at first, but ended up with the Alain Caron 121 Lite. Holy crap is this thing amazing. The tone and volume I am getting is remarkable. I can’t imagine needing more stage volume, but if I do I will just get another. Another bonus is the Aux in. If I have a house party I’ll just use my Markbass as the PA for whoever wants to IPod DJ. It is loud, clear, and sounds so damn good.
I am a total bass whore, but I faithfully marry my amps when I find the one. I am probably done buying amps for a good long while.
Such sweet anticipation!
I knew what I wanted a bit more than you did, but I’m sure you will be pleased with the stack!
The tweeter is fairly controllable with the VLE, but it never sounds truly vintage. The Alain Caron Sound so much better than the CMD 112 I tried in all respects. Always big and clear, which is exactly what I love.