• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

maurice gibb

Its funny, sometimes cats that play the perfect basslines for the material and don't over play and do the job of a bassist, get overlooked when talking about the greats, Maurice was one of them. Sometimes the greatness of that whole family gets overlooked because of their massive.success.
 
Last edited:
Its funny, sometimes cats that play the perfect basslines for the material and don't over play and do the job of a bassist, get overlooked when talking about the greats, Maurice was one of them. Sometimes the greatness of that whole family gets overlooked because of their massice.success.
Very true.

In my case, I just didn’t care for their material very much. It had little to do with the success that it achieved; it just didn’t resonate with me. I would never try to take away from their talent, though. Those guys could really play. And those harmonies? They were for real.
 
My Maurice story. When I switched from cello to e-bass I was about 14, so about 1973. My sisters' Beatles recordings fueled my defection, and my parents' disappointment, lol. To learn e-bass I cut my teeth on Macca's lines, '50s rock patterns, and then some soul. As a classical guy I dug Yes and the other proggers, of course. And Black Sabbath too. My sisters had all these records, and I copied the lines off them to learn e-bass, and to memorize and play by ear. So, one day I see a cool album cover, Trafalger by the BeeGees, play it and as a cellist notice the orchestration, but as a budding bassist I focused on Maurice's bass lines. Tasty, never too much, just right. I then added his playing to my bass education. He reminded me a bit of Macca in his being a multi-instrumentalist songwriter who could play some fine bass.
 
nights on broadway is a banger!

i get the anti-SNF vibe.

it was EVERYWHERE, but now i can just enjoy the songs without the HYPE.
That is true, Nights on Broadway is fantastic.

I mentioned not being a fan of Stayin Alive, the song, but there was good stuff on that LP too. More Than a Woman and How Deep is Your Love are still on my car playlist.
 
The chords in this song are wild. Derivative of nothing, not remotely normal, certainly like nothing you’d hear on the radio these days other than maybe in a Silksonic song. Which if you did, it would probably be derivative of this.

Excellent song.
 
  • Like
Reactions: jerry and pbass2
The chords in this song are wild. Derivative of nothing, not remotely normal, certainly like nothing you’d hear on the radio these days other than maybe in a Silksonic song. Which if you did, it would probably be derivative of this.

Excellent song.
From back in the day when pop songwriters actually tried to write interesting chord changes and songs that had an arc to them harmonically, melodically, I mean....actual songwriting craft. Now all you're apparently allowed to do is some variation of I VI IV V around and around, make sure it doesn't feel really major or minor and that it doesn't really ever resolve or commit.
 
From back in the day when pop songwriters actually tried to write interesting chord changes and songs that had an arc to them harmonically, melodically, I mean....actual songwriting craft. Now all you're apparently allowed to do is some variation of I VI IV V around and around, make sure it doesn't feel really major or minor and that it doesn't really ever resolve or commit.
And for the love of God, don’t write a bridge.
 

Latest posts