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How many of you, my dear TB members transcribed, analyzed, and programmed (!) any drum parts
, learning to play drums, at least a little bit, is one of the best learning experiences for a bass player.
Whaaaat??! Send me some details! I'm down to come out if I'm free.It's ok I haven't been upset at any point in this thread. And I'll be playing in New Orleans in a few weeks. Maybe come check me out in person and offer tips.
It's a two way street. If one of you already has an established line, the other should work off of that. It will morph and become stronger as you adjust to what the other is adding to the existing groove.Drummer's definition of "locked in" = play what I play
Bass players definition of "locked in" = play what the drummer plays
Whaaaat??! Send me some details! I'm down to come out if I'm free.
Drop me a dm for sure!I'll do that. We are a Baton Rouge band. It will be our first venture to the Big Easy. We don't know the details yet though.
Timekeeping is the responsibility of all players in band,
everyone should endeavor to lock in with each other, no exceptions.
locking is about listening to others and responding to make them sound better
failure to lock = failure to listen
the single best thing you can do to lock in is learn his part
you can't lock in with an unknown rhythm
level 1 locking with a drummer: when the kick plays, you pluck (less strict as you level up)
level 2 locking in with a drummer: leave room for the snare
level 10 locking in : learn rhythmic notation , be able to notate both your rhtyhm and the drummers
level 100 locking in: experience and familiarity with the bass and drum patterns that define various styles of music, giving you a solid intuition of what the drummer might be thinking on the fly.