Matt Freeman is definately talented and has a distinct tone, but I wouldn't call him the best. A lot of times it just seems like he's stuffing too many notes into too small a space, like he's afraid then song will self-destruct before he has his moment. Very few of his basslines stick with me, they're all in a flurry.
My love, instead, goes out to ALL(no pun intended) the Descendents Bassists: Tony Lombardo, Doug Carrion, and Karl Alvarez. All of whom crafted classic, catchy lines that are as memorable as they are energetic.
Also, I think Rob Wright and NomeansNo and the Hanson Brothers are worth checking out, especially for Freeman fans. Rob is, in many ways, punk rock's Les Claypool.
Also, for the new skool kids: Dan Maier's style combines Paul Chambers with Paul Simonon:The Plot to Blow Up the Eiffel Tower, Link Removed
And although their recordings are a little muddy, Donna Dresch of Team Dresch.
I feel like you should be able to play Matt Freeman's lines, but you should play like you were Tony Lombardo or Dee Dee Ramone.
My love, instead, goes out to ALL(no pun intended) the Descendents Bassists: Tony Lombardo, Doug Carrion, and Karl Alvarez. All of whom crafted classic, catchy lines that are as memorable as they are energetic.
Also, I think Rob Wright and NomeansNo and the Hanson Brothers are worth checking out, especially for Freeman fans. Rob is, in many ways, punk rock's Les Claypool.
Also, for the new skool kids: Dan Maier's style combines Paul Chambers with Paul Simonon:The Plot to Blow Up the Eiffel Tower, Link Removed
And although their recordings are a little muddy, Donna Dresch of Team Dresch.
I feel like you should be able to play Matt Freeman's lines, but you should play like you were Tony Lombardo or Dee Dee Ramone.

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