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Two guys have two cars: one a Lexus and one a Toyota. They’re going to rip out and replace the interior, drivetrain, suspension.... you get it.
And oh yeah, for whatever reason the car bodies look pretty much exactly the same except for the badges and a bit of trim.
Now which car is better? More importantly, which guy is the bigger idiot?![]()
Nice. Too late to delete my post so I don’t get stuck reading this thread?
Nice. Too late to delete my post so I don’t get stuck reading this thread?
My thoughts. I have have played some dog Mim basses, and some great ones, like my RW Jazz. Just depends on the instrument.Some mim's are exceptional,some are dogs mia's are exceptional ,some are dogs.There are variances from piece to piece.
It just doesn't matter to me anymore. If it sounds good, it is good.
I owned a Mexican Jazz that was my working bass through the college years. Sold it to "upgrade" to an American Precision Bass. Had I known I would eventually have to sell it, I would have just kept my workhorse. It was a fine instrument. Exceptional, even.
Nice. Too late to delete my post so I don’t get stuck reading this thread?
I think the American Fenders use better wood and components. Those things matter to me, because over time, lower quality wood and components will bite you with warping, swelling, shrinking, tuning problems, intonation problems, and electronic failures. Tuners, nuts, bridges, pots, pickups, jacks, frets...all matter. I have bought cheap guitars that played surprisingly well, but over time, they had real issues. The Mexican Fenders are lower cost because they cut corners in manufacturing them. The Mexican Fenders are surprisingly good for what they cost, but I wouldn’t buy them with the intent of keeping them forever. You can actually do that with American Fenders.
I doubt I would by an American Standard to “mod extensively.”.
Umm, Fender?So... for future reference, where do we get MIA graphite replacement necks? 'Cause if our MIM baes need some extended life?
That’d be even nicer if the bridge wasn’t mounted crooked.Here's curveball for everyone. My buddy bought a '97 Squer Affinity for $100 and just leaves it hanging on the wall. I picked it up one day I was at his place and was like, wow, this thing has a really nice, fat, chunky neck on it and it's light! I told him he should put some effort into cleaning it up and doing it justice. He was like, "Meh, I'm not really into it." So I convinced him to let me have at it. Pots were full size, but scratchy, wiring was sub-par. Adjustment screws on the bridge were rusted and frozen.
I cleaned it up, polished the frets, shielded the control cavity with shielding paint and pot copper foil on the back on the new pickguard I had sitting in my parts box (original pickguard was a boring 1-ply white), soldered together a new harness from high quality parts, new knobs, popped in an '08 Am. Std pickup I had sitting around, Fender vintage style bridge from the parts box, popped on some GHS Precision flats and give it a nice set-up. dare I say this thing sounds and plays as nice as my American Standard that has been PLEK'd and has a Fender PV'63 pickup in it and sounds amazing.
My friend is now blown away at how nice his bass sounds and plays.
All goes to show that there can be gems in any range.
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That’d be even nicer if the bridge wasn’t mounted crooked.
Comparing wood used for guitars and baseball bats is a nice try, but not a fair comparison. As a lot of us will agree on, just because a certain piece of wood is light or aesthetically pleasing to look at, or both, doesn't automatically mean that once it's assembled that it will sound amazing. It's sum of the organic parts and there are killer basses out there with multi-piece bodies that may not have the best grain matching that sound amazing, there are heavy basses out there that sound amazing, there are light basses out there that sound amazing, there are basses with veneers to cover a body made up of what is essentially scraps that sound amazing!