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Mocha P Bass vs your 66 P

Hey Justin, i’m looking at getting into the vintage market and theres a lot of debacle over the pre CBS thing. As someone whose delved into the later years of Fender and having them be your go-to’s in a lot if situations i wanted to pick you brain on whether you prefer the 66 P to your mocha one. How would you in your personal arena of recoding and gigs decide on reaching one vs the other. I know i could probably search this in general forums but I’m a huge fan of your tonal choices so i wanted to get your two cents!

HBD by the way!!!
 
Hey thanks...so to answer your question, I am agnostic when it comes to Pre CBS/post CBS/60's/70's. My '66 is a dream and I will never part with her. Here's a demo I did maybe 10 years back for D'Addario Chromes using that bass: . I've kept the same set of strings on her for a good 12 years, so at this point they are super dead, but the result is that she's a cool thump machine. So my intention is to keep her in that role. My '75 is a midrange grind machine with lots of attitude, that can also sound taut, limber, and funky played fingerstyle. So always rounds on her. They're both amazing, and ideal in every way. So the only reason I choose one over the other is a question of needing bright vs. dark. That's it. I think in a place like Talkbass, there's a combination of factors that make this discussion a bit frustrating: gear elitism, a desire for one-upmanship, competitiveness, hearsay, and sometimes lack of practical application in the real world (people who may have these instruments, but don't use them so much in a professional context, or at least very often) A great p bass is a great p bass, regardless of era. Unless you're a collector, just find an instrument that you can afford that you really match up with and establish that certain "love connection".
 
I think in a place like Talkbass, there's a combination of factors that make this discussion a bit frustrating: gear elitism, a desire for one-upmanship, competitiveness, hearsay, and sometimes lack of practical application in the real world (people who may have these instruments, but don't use them so much in a professional context, or at least very often) ".

So honest, so true. And that's why I regularly check out what Justin has to say here.
 
Man, those ‘70s Mocha P basses are so sweet. Always makes me think of Paul Jackson w/ Herbie Hancock.

I wish Fender would do a reissue or something (JMJ sig road worn P bass?), vintage ones are getting pretty pricey and are often quite heavy.
I was a huge fan of PJ and Headhunters and l red somewhere that Paul Jackson' p bass is infact "sahara taupe", not mocha. I thought it would be interesting to share.