Markbass CMD121P + NY121 extension cab = 300w as a combo or 500w full rig. Clear full and versatile tone and great construction quality. Very happy with it!
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I had vouched for Markbass earlier, but my rig was dependent on a screaming used deal. I never would have paid the new prices for my rig.Wow that's great feedback everyone, thank you all so much. I had been looking at Markbass but they are on the more expensive side of things and if I can get something that does the job for less that would be ideal. I'll definitely have a look at the GK stuff and potentially the Hartke stuff as well. The only reason I hadn't looked at GK up until now is that I know they have a particular "sound" and given that versatility is the name of the game for me I was trying to find something a bit more "flat" (not that my ampeg rig was "flat", but boy was it loud haha). But I will try and find somewhere near me that has one to give it a go, or failing that I will look at some videos online!
Thanks again for all the amazing posts everyone! I do love this forum!
Guess we'll never know...Curious what Fender Combo you used that night when your SVT-7 died.
With Mark bass going from Italian to Indonesian manufacturing and being pretty much exclusive to G/C & M/F I'm less likely to go that direction in the future.
I've never heard a complaint about Markbass, but I've been burned by at least one company that had declared bankruptcy. Guitar Center and Musicians Friend are just places to look at straps, cords and Strings for me until they seem to be more sustainable. The shame is that I've had really good luck with quick shipping from Musicians friend.... I just wish they gave candy that I can use to bribe my wife with my orders .
I also have a Rumble 500 - but I have the Rumble 112 when I want to move more air! Play with a loud guitarist and heavy drummer and never had gain past noon as well - with or without ext cab.I have the Rumble 500 stack; had it for 3+ years now, sounds great and has never let me down. Have never had the Gain past noon. Moves A TON of air for 4 - 10" speakers
I would be inclined to get a separate head and cabs instead of combo where if you decide you need a different cab or head than what it comes with, you don't have to go out and buy everything all over again.A few months back my ampeg SVT-7 that I ran through a 6x10 decided it had had enough and died on me a few days before a gig. Luckily for me a friend of mine had a good fender combo amp I was able to use for the gig and boy was I surprised at how well it handled the pressure of a like rock cover band.
So now comes the time where I am looking to replace my old SVT-7 and I just don't need that kind of power in my life anymore, so I'm thinking about downsizing to a combo amp. Problem is I haven't really been keeping up with all the latest and greatest combo news and, due to a COVID lockdown where I live, I have only limited opportunities to go and try different amps. Therefor I want to at least have an idea of what kind of combo amps you good folks consider to be worth the money.
Ideally I'm looking for volume and gigability as well as versatility. My 6x10 really made the room shake and I want to be able to do the same with whatever I buy (within reason, I know that 1000w through a 6x10 is not going to be matched by a combo amp).
Fender, SWR and Markbass seem to be doing some good stuff these days, what are your experiences and where should I start?
Just for curiosity sake, are there any Australian bass amp companies?A few months back my ampeg SVT-7 that I ran through a 6x10 decided it had had enough and died on me a few days before a gig. Luckily for me a friend of mine had a good fender combo amp I was able to use for the gig and boy was I surprised at how well it handled the pressure of a like rock cover band.
So now comes the time where I am looking to replace my old SVT-7 and I just don't need that kind of power in my life anymore, so I'm thinking about downsizing to a combo amp. Problem is I haven't really been keeping up with all the latest and greatest combo news and, due to a COVID lockdown where I live, I have only limited opportunities to go and try different amps. Therefor I want to at least have an idea of what kind of combo amps you good folks consider to be worth the money.
Ideally I'm looking for volume and gigability as well as versatility. My 6x10 really made the room shake and I want to be able to do the same with whatever I buy (within reason, I know that 1000w through a 6x10 is not going to be matched by a combo amp).
Fender, SWR and Markbass seem to be doing some good stuff these days, what are your experiences and where should I start?
Just for curiosity sake, are there any Australian bass amp companies?
Combo amps, IMO, are all old school. They served a purpose when we had to lug 25lb heads along with our speaker cabinets.
Now that we can get a 700 watt head that weighs less than 5 lbs and can fit in a napsack, combos are much more trouble than they're worth. Also, many clubs nowadays (at least in NY/NJ) have speaker cabs. Most club gigs I've played in the last 10 years I've only had to bring my head. If I only owned a combo, I'd have to use that.
I now use a couple of different setups, but my main one is 700 watt Carvin head, and 2 22lb Carvin 15" cabs. I can use one, both, or whatever speaker cabinet the club is providing. 2x15s also give me just about all the oomph I ever need these days, too. And if I ever want to get another NV610 (my previous cab) its easily done. With a combo, I'd have to lug that alongside it.
Last note - most combos today are bigger, bulkier, and heavier than speaker cabs and a separate micro or mini head.
Markbass being built in Indonesia has had no effect on quality. In fact, they're shipped back to Italy for a 2nd quality control check just like Lakland does with their Skyline basses and I don't hear anyone complaining about that. And, Markbass isn't going anywhere if Guitar center closes. Your local shops and online dealers would be thrilled to have them, IMO.
My experience is that Markbass products are now as good and reliable as they have always been. Markbass still QC in Italy every single amp and cab they sell.
I have had MarkBass amps, combos and speaker cabinets made in Italy and Indonesia. They were equal in all ways, I don’t get the issue some have with MB stuff made in Indonesia.
I use a GK Neo 212 for pretty much all my gigs now. With my above mentioned Carvin BX700. I don't have to lug it around though cuz I'm one of those 1 in 100,000 musicians lucky enough to have raodiesI've got a GK MB212. I wanted to get a separate head and cab when I upgraded but it was going to cost me nearly $1000 more to get a separate GK head and cab of similar specs and the MB212 actually weighs less than the Neo212 cab. I couldn't quantify the extra spend.
So it’s not so much a question of truth in advertising as @RickyT perhaps suggests, it’s a question of two different combo designs.
I have both an Italian (2011) and an Indonesian (2019) CMD 121P combo right now to compare them side by side. I agree the quality has not changed in terms of build. However, there’s a substantial sound difference when you A/B them right next to each other. The Italian one is noticeably louder, fuller, and clearer. It just sounds better, there’s no mistaking it. The Indonesian one also starts to fart out way before the Italian one when you’re pushing them, especially with a low B string.
GK MB212 50OW without needing an extension cab.