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My current bass doesn't seem to want to cut through the mix no matter what I do. Any suggestions for a "Growlier" new bass?
Current Set up:
82 JV Jazz with Bartolini 9s and 2Tek bridge
John East J-Retro set flat OR with the Bass boost control off (not centered) and Bright switch on
Roto Sound 99 Exposed Core strings.
Diamond BCP compressor through a Radial JDI direct box
I'm considering:
A Peavey Cirrus or Rudy Sarzo or something by Warwick, Musicman or Gibson/Epiphone.
Thanks in advance for any advice.
A simple cheap way to get tons of growl: find a used bass you like with an MM pickup. The old passive (discontinued) Kingston is great.
Your setup should do it but is some of your playing technique not doing it?
Nothing personal, but when the Geddy bass here goes to gigs it can be played to sound "normal" or cutting or "like Geddy" depending on strength of attack and where the string is hit.
Check this video at time 6:20 ~ 7:00
For some of the basses here(i.e. Gibson SG bass), no matter how hard or what the settings are....it will not growl. For most any other bass here, playing it very hard and towards the bridge makes it growl.
Also, a SansAmp pedal in front of your rig can help you pull out what is missing. VERY useful if you ever have to deal with provided backline and/or give the PA a good DI. Your comment about FOH seems to indicate that the FOH operator may be taking your sound(growl, clean, mud or whatever you send him) and turning it into what he "thinks" you should sound like....a pedestrian bassist with no growl(mids or highs).
If you must get a new bass, a Fender Geddy or Musicman will do what you want but they won't fix FOH.
Good luck.
My thoughts too, I have been so disappointed at a lot of concerts as the Bass player get SCREWED in the mix. I don't think that they realize that the bass guitar actually plays pitches that are the foundation of the harmonic content of the music. I think they hear kick drum and bass guitar as the same sound.The current understanding of sound reinforcement professionals regarding bottom end is, "big wall of mud, with really thunderous kick drum."
Sorry if I sound bitter.
I'd stay away from cirrus or peavey if you wanna cut in a mix and want growl... IMO nothing growls like a jazz bass... Ash body maple neck and board with single coils and a nice preamp onboard ... Aguilar obp-3 always sounds nice to me .. Just my 2 cents ... Warwicks growl like beasts also but I never liked the necks ... Spector basses also are monsters... I play a carvin sb5001 Jazz ash Maple maple and I'm telling ya it's fantastic and extremely underrated ... Never ever liked carvin UNTIL I got my sb5001... I'm ordering a JB-5 soon also from carvin.... YouTube JB-5 or SB5000's and listen for yourself
I TOTALLY disagree about staying away from a Cirrus. I play Peavey Cirrus basses and they cut through the mix better than any other bass. The growl is totally there.
I am not judging slamsinger personally, but it seems that Fender guys are automatically against Peavey. They swear by Fender and nothing else.
I am speaking from personal experience. I can send you all the CD's I've played on with my Cirrus and you tell me they don't cut through the mix...
No matter what bass you play, if you boost the mids you will always Growl and cut through the mix.
Just go to my Reverb Nation hyperlink on my signature below and hear a bunch of stuff. That is 90% Peavey Cirrus through a Mesa Walkabout head into an SWR cab.

Barts aren't exactly known to be growly. They are more of a clean pickup, hence the recommendation.
I can't find much on RS99's and I've never tried them myself. Strings are the cheapest and easiest way to transform the sound of your bass. I'll bet a set of RS66's do much better for your tonal goal. Seems cheaper than buying a new bass.