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More notes or fewer notes?

MultiScaleMale

Gold Supporting Member
Jun 19, 2003
27,207
38,985
Maryland
What’s your preference? Listening to a band now and the bassist isn’t bad, but he’s playing a ton of notes. Pentatonic up and down the neck. So, there’s no groove or feel. Now, the opposite is that you play what the kick plays - you’re just a pitched kick drum. Personally, I go towards simpler is better (and there are always exceptions). Reinforce the kick, but add some leading notes to get into the next phrase. Sometimes some counterpoint. Good rule of thumb - how do you know you should play simpler? If the vocalist is singing. Don’t try to steal all the fills, because the guitarist will be filling too and the drummer as well. If you all do it at the same time, you get mud.

EDIT: In fairness to the guy that was playing, he toned it down later. Maybe he saw this post? Heh.
 
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It depends on the rest of the band, honestly.

If the band is a power trio, I have a little wiggle room to get a run in here and there, maybe even a chord or two.

But my current project has a driving drummer, and skilled keys and guitar players, as well as three to five part vocal harmonies. If anything I will occasionally simplify a bass line (even simpler than the recorded version) if there is a lot going on.

My goal is to keep the groove glued together however I need to. There's no "one-size-fits-all" approach for me.

Hone your skills. Be ABLE to play more. Know WHEN to play LESS.

But to stick to the spirit of your question, when in doubt, play less.... but do it very.... very..... groovy. ;)
 
Definitely agree that a trio gives you far more room to be creative.

Depends on the trio. I play in a 3 piece and the guitar player plays a lot of arpeggios and such and I am forced to keep it simple. Some stuff I can play a counter melody on but rarely have an opportunity to go nuts. I like to think I play for the song but probably wouldn’t mind letting loose now and then.
 
Depends on the trio. I play in a 3 piece and the guitar player plays a lot of arpeggios and such and I am forced to keep it simple. Some stuff I can play a counter melody on but rarely have an opportunity to go nuts. I like to think I play for the song but probably wouldn’t mind letting loose now and then.
Slap some tri-tone subs in there and wait for the look. :bored:
 
What’s your preference? Listening to a band now and the bassist isn’t bad, but he’s playing a ton of notes. Pentatonic up and down the neck. So, there’s no groove or feel. Now, the opposite is that you play what the kick plays - you’re just a pitched kick drum. Personally, I go towards simpler is better (and there are always exceptions). Reinforce the kick, but add some leading notes to get into the next phrase. Sometimes some counterpoint. Good rule of thumb - how do you know you should play simpler? If the vocalist is singing. Don’t try to steal all the fills, because the guitarist will be filling too and the drummer as well. If you all do it at the same time, you get mud.

What style of music was the band playing when the bassist was playing tons of notes? Jazz? Polka? Reggae? That makes a significant difference. If they were a Weather Report tribute band, the bassist was doing what he should. If they were a delta blues band, he may have been overplaying. The question is too open ended without significantly more info about the band and the music style. Simpler is not better if you are playing Donna Lee.
 
It really depends on the song. Groove is not related to the number of notes in the song. The only reason these things get conflated is because people playing more notes might have a stronger tendency to push or pull the tempo. Rocco Prestia is an excellent example of playing a ton of notes while grooving super hard.

That being said, there are times where it's more appropriate to chill out a bit.
 
Flea can play a ton of notes but he still has a groove, or at least the band as a whole does. I wouldn’t sacrifice that groove though. I’d rather have less notes if it meant a better rhythm.

That’s bc he’s a trumpet player.
College bass players all seem to double tuba, bass horn, etc.
That’s where you get the less is more player.