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Most Difficult Music You Ever Learned

The most musically difficult stuff is with my electronic duo jam stuff. My theory barely got refreshed a year ago and this dude is like "ya let's play a C#m Hungarian. Only has 57 sharps and 11 flats." For technical stuff, I like what I do. I keep pushing me.

EDIT: Used to be able tonplay YYZ and the main first half of Classical Thump. Those are fun.
 
I'll play bass and sing on Tool - Vicarious for my job music day, it will be in June. I'll keep you up.

I also had to learn and rerecord a 30 minutes Prog song for one of my previous, we sadly never played it live but it was fun.

Then I joined a Zappa cover band.
Oh dear!

Indeed! I love FZ bass lines but i don't read either.... What a pain!
 
I played in the pit for Evita once, and the hitch is that I can't sight read in anything close to real time. I basically memorized the entire score with the conductor's edits (for a Weber score!!!). Which did free me up to really lock in with the conductor because I was making consistent eye contact.

The one anomaly was during "And the Money Kept Rolling In (And Out)"—most of the musicians were kinda struggling with the 7/8 time, but my band's drummer was also in the orch with me and we were in our prog phase of evolution, and we had a song in 7/8 with the same accents. So on that particular tune, the rhythm section was jamming.
 
I played for awhile with a guy from the west coast of Africa. The music I had to learn had some very difficult (for me) melody lines that were sometimes 32 to 48 measures long. There were some great grooves with this music but just as things were really getting going he would go into this melody that I was supposed to double. I loved it.
 
When the first Mr. Big album came out, I rushed to get the book with the bass music laid out becuase I knew it would help me to get those songs down. Spoiler alert, it did not. If anything it made it harder because now I knew the actual parts and not just "yeah that sounds right." After some frustrating weeks I read an interview with Billy Sheehan and he was talking about how Paul Gilbert's pull off technique and style was so different and it took him a while to be able to double some of his parts. I knew then if a technique is hard for Billy, it's probably not going to come to me easily. And I was right. The only Mr. Big songs I ever played in a band were Green Tinted Sixties Mind and To Be With You so I never got to show off any of that hard work on stage.
 
It's gonna sound stupid, but George Harrison's Give Me Love has been a thorn in my side since I first heard it. And that was decades ago.

I can play through it by the numbers. But there's something about that song that I simply can't get any feel for. It's as if there's an underlying thread in it that I basically can't hear. Which by my own standards means I still can't really play it.

Frustrating. :atoz:
 
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