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Double Bass Most in tune bassists?

I do like to think that being a pro player means playing in tune, but i do understand that sometimes just being in tune alone can be impressive depending on the music.

i can recall rehearsing and performing with david grossman of the NY phil when he was the soloist with our local symphony on long island. perfectly in tune every note - i forget the name of the pieces, but it was a viola concerto he was playing on bass that was not easy..

I'm pretty confident nearly any member of any major symphony would be roughly the same?

obviously edgar meyer, but certainly also xavier foley or bozo paradzik - particularly his cello transcriptions, are all impressive in this way, not to mention masterful interpretation.
 
I assume by "spectacular intonation" you must mean on the regular over time, because a note is either in tune or not. Once the beats stop, you can't get any more spectacularly intonated than that. I've heard some jazz players lose it in the upper registers, likely due to not being able to hear themselves. But most pro players I hear mostly just seem to nail it. I think having poor intonation in the pro world is quite rare, actually. Hard to imagine that would be tolerated in any professional orchestra.
 
I like Gary Peacock a lot , William Parker, Eddie, Miroslav and Leander, Intonation be dammed, I like what they excite in my mind and heart, Also Renaud-Garcia-Fons -- who probably has a leg up on Meyer and other on intonation and extended arco technique but to be point on strobe tuner is not really the point. I also love Danielle Roccato's work . Pulse it like a train and make it sing like a human voice
 
Thanks everyone, some great bassists I know and some I’ll check out! I am kind of on a self discovery, playing with a tuner and drones and stuff, and just want to hear and see some great players also play in tune noticeably so I can kind of come to grips with either what’s possible. A lot of the players I love don’t or didn’t always play perfectly in tune (sometimes expressive, sometimes not so kuch) and I keep seeing those practice mins videos with players switching between equal and just intonation, I’m not sure I’m hearing it all as deeply as i would like to.