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Mudd's possibly stupid intonation question

Apologies if this is one of those constant questions...the search engine didn't help much, and note that I DID say it may be a stupid question, OK?

I'm trying to learn to do basic setup adjustments for when I change strings, etc - when I adjust the saddles for intonation, should I loosen the string tension, tweak the saddle, and then re-tune, or adjust with the string under tune-tension?
 
Mudd, the saddle height adjustment, and intonation screw are separate items on the bridge you've got?

If saddle height is already adjusted from the previous set of strings, and is deemed okay...

1. Tune the bass
2. Check intonation (12th fret for example)
3. Turn intonation screw to fine tune
4. Adjust tuner later (as needed) to remain in tune
 
Proper intonation setting is moving the saddle so that the fretted note at the 12th fret is an exact octave of the open string. You have no need to
loosen the string while working on this.

But just moving the saddle without retuning the string with each attempt won't set intonation. You have to constantly compare the fretted note to the open string (and the 12th fret harmonic IS an open string.

John
 
Mudd, the saddle height adjustment, and intonation screw are separate items on the bridge you've got?
Yes, each bridge has separate adjustments for height and intonation. Also, each bass has previously been professionally set up with the specific strings they wear; what I'm wanting to do is dbl-check the setup after replacing worn strings with a new set of the same strings and adjust as needed.

Proper intonation setting is moving the saddle so that the fretted note at the 12th fret is an exact octave of the open string.
That's what I'm doing, or trying to.

You have no need to
loosen the string while working on this.
That's the part I wasn't sure of.

But just moving the saddle without retuning the string with each attempt won't set intonation. You have to constantly compare the fretted note to the open string (and the 12th fret harmonic IS an open string.
That part I also did know.

There's no risk of snappage or any other damage from adjusting a saddle while under string tension. :)
That's the other part I wasn't sure of.


Thank you, gentlemen...I appreciate it!
 
Nope, don't need to. Just be sure once you move the saddle, you stretch the string, make sure nothing needs to be moved, re-tune the open string, check the intonation.

Its fun... but you will literally go back and forth a few times till you get used to it.
 
I check about 3 or 4 notes in different positions above the 12th with a tuner to see which way it's leaning, 2 things I've found over the years, fretting machines aren't perfect and wood shrinks. I check a range over the string not just one note.
 
If you have a Fender-style bent L or similar bridge assembly, when you back the screw out to decrease string length, be sure the screw seats itself flush against the back of the bridge plate. Sometimes you have to give it a push with the screw driver until it shifts forward.

I agree with those who do not lower tension on the strings as they adjust the saddle for string length/intonation.
 
Casting resurrection to ask if it's normal to have to move a saddle a BUNCH for intonation...I've been doing my 004 and the E-string saddle has been slammed back a lot more than I would have expected. Same string brand, gauge, etc as what it was pro-set-up with a couple of years ago, just a fresh set.
 
Casting resurrection to ask if it's normal to have to move a saddle a BUNCH for intonation...I've been doing my 004 and the E-string saddle has been slammed back a lot more than I would have expected. Same string brand, gauge, etc as what it was pro-set-up with a couple of years ago, just a fresh set.
I've had the odd 'rogue' string that seems to need more adjustment to get it in. Usually the E or G for some reason.

With the E (& especially a low B) it might be that your tuner is having difficulty tracking it. Here's an alternative way...

Tune the whole thing up & intonate the G string;
Retune, unplug tuner & plug into amp;
On the D string, play a R5 double stop made of the 12th fret D & 14th fret A on the G. Adjust the D saddle & tuning until that harmonises with the G string;
Rinse & repeat for the A & E strings.

Pete.