Well #1 looks the best, but...
If you expect to push the cab hard, #2 offers chimney-effect cooling (hot air goes out the top port, drawing cool air in the bottom port). The idea of placing ports both above and below the woofer magnet(s) was suggested to me by Jerry McNutt of Eminence, who may well have designed the BP102 to begin with.
If by any chance you plan to use flared ports, like Precision Ports, you might consider placing the ports on the rear of the enclosure, one high and one low, so that you can see the backs of the cones through the ports. You'll get midrange energy escaping through the ports, but the flares keep it from sounding harsh and edgy (sharp-edged ports introduce a lot of diffraction into any midrange that comes out the ports, and that can sound harsh at high SPLs). This way, your drummer will have a bit better chance of hearing your overtones and being able to tell what you're doing.
These two techniques are things I do in my commercial bass cabs, not that that bestows any particular credibility on them.
And with the ports on the back, you can get away with plugging one or both with an expandable plumber's test plug, if you find yourself in a really boomy room. Yeah, I incorporate that too.