• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

my first micro amp

wich micro amp do you recommend?

  • Ashdown MiBass 550 watts

    Votes: 7 11.1%
  • SWR Headlite

    Votes: 2 3.2%
  • MarkBass F1

    Votes: 13 20.6%
  • MarkBass F500

    Votes: 10 15.9%
  • GK MB Fusion

    Votes: 31 49.2%

  • Total voters
    63
Jan 11, 2010
114
7
quebec, Canada
Disclosures
Ashdown Amps, Yamaha, Musicman & Washburn Basses
Ok, so GAS attack... i'm looking for my first micro amp cause my back hurts carring my 100 pounds combo.

I play mainly rock and I love having a little bit of grit in my sound so having a tube pre is better for me but not crucial for a micro amp. The choices are based on what I can have in my usual bass shop so I know there's a lot more on the market. I'm planning playing it mainly in a 15 cab.

In addition, I know the best way is to try them but I want to base my choice on more real-life experiences.

Thanks helping my GAS getting worse... :rollno:
 
Markbass F1 - goes well with....well..any cab really.....
Tried most micro's and the F1 just delivers.
Really shines with Bergs and TC Electronic RS210's IMHO

F1andRS210.jpg
 
In addition, I know the best way is to try them but I want to base my choice on more real-life experiences.

Well, here's the problem. You don't know what our experiences are. I for example am new-ish to bass. Piano was my principal instrument in college. I've also attempted other instruments but I think bass is sticking (I'd still play piano if I could but RSIs prevent me from doing so). I have plenty of experience playing with other bass players but I've never gigged playing bass myself.

So... maybe my experience shouldn't matter as much.

Then again... I worked for one of the biggest names in digital reverberation products and later for a company that made very large format mixing consoles (in the $250k to $1 million range) so maybe that experience counts for something seeing as a I have lots of experience with critical listening? If it does count for something it's that I know this (from direct experience)... Put a dozen engineers in the same room and ask them what the best near field monitors, tracking console, mixing console, outboard compressor, A to D converter, mic pre, mic for trumpet/guitar/vocals/kick drum/pocket whistle is and you'll probably end up with a dozen different answers for each item.

So with that said, I put my vote in for the MB F500 because that's what I just bought. Ultimately though, what I like, and what you like are bound to be different. I recently tried out a TC RH750. I was absolutely convinced I was going to love it (and I wish I had because I'd have save myself some $$$ over the MB rig I ended up with (the MB rig is new, the TC stuff would have been used)) but I didn't. It just wasn't the sound I was looking for. It's still an awesome head and I don't think anything else on the market has the feature set it has. It has a really great sound, it's just not the sound I want to hear when I play.

It's the first really nice head I've every bought. I'm nearly certain though that it won't be the last. Experience or a change in playing style or preferences may mean I'm changing my mind 5 years from now (or maybe even 5 months from now).

Maybe you could try to organize a get together in your area with a bunch of bassists via TB and Craig's List. You could throw a gear gawking party and invite everyone to bring their rig over. Great way to check out a bunch of gear.

Cheers, Joe