after playing it for a few days, here are my thoughts:
when you put as much thought and dreaming (about wood choices, inlay designs, hardware choices, body shape etc) as went into this bass, it is hard (or impossible) given Sheldon's craftsmanship for the bass to be anything less than amazing.
I picked out the woods knowing I was going to be impressed. I was blown away.. even though I knew it would be awesome, I guess on some level I wasn't prepared for it to be... ...awesome.
you know that the sound will be incredible, but with all the slight changes, you're not quite sure what it will end up being like... I was a little worried it would be a little too dark or treble-intense, but it sounds perfect to my ears... the low B sounds like someone hitting a quarter million dollar grand piano with a five thousand dollar gold sledge hammer but with a sustain and resonance that is clearly a perversion of nature!!
the feel of the bass is inredible, with the mando frets and the super low action, it feels like a dream!! the neck is smooth and silky with no resistance -it is fast and yet still has a very organic feel, not sterile or teflon-feeling at all.
I also can't believe how good the bass sounds in passive!!! I've been thinking about playing it in passive only for the next month or two, to really get to know it's unadulterated sound, and then slowly experiment with the eq to see what possibilities are there...
Anyway, this bass is definately a dream come true for me, from the inlay, to the shape, to the woods to the sounds, this bass is everything I was hoping it would be!!! (And as the previous Installer / Assembly /Electronics Supervisor at the Dingwall Shop, I have seen a LOT of basses, and had very high expectations!!! I can't wait to take this baby out to a gig!!!
Jeff Martens-Koop