As many of you know, I own many high end basses including a Ken Smith Elite, Zon Sonus Special, Tobias Killer B, Yamaha TRB5P, MusicMan Sterling, '62 Precision (Real one), etc. I remind you of this not to brag (I'm sure you have lots of nice stuff too), but to say I think I know what a quality instrument sounds and feels like.
Lately I have been playing the heck out of my Sterling and I thought, "hey wouldn't it be nice to have a Stingray as well - just for the heck of it". About a week ago I stumbled accross an OLP Stingray copy in my local Guitar Center. One of my students has one but I never payed much attention since I though of it as just a "cheap copy".
To make a long story short, I made some side-by side, front to back, periphery to periphery comparisons between a real Stingray and the OLP and I'll be darned... the geometry matched spot on!!! The only difference was that the OLP body was about .20 thinner than the Stingray. The OLP had a tighter neck joint and better made tuners. The Stingray has a better bridge and better detailed fret finishing.
I then A/B'ed the 2 basses using a nice amp and although the Stingray put out a hotter signal due to the preamp (the OLP is passive), I could tell that with some higher quality electronics I might be able to get a real Stingray tone.
I called Mike Lull guitars (Yes, THE Mike Lull. He's here in the area) to ask their opinion of weather it would be worth it to do the electronics swap. Roger told me "as long as you have a good neck and use either a Bartolini or Seymour Duncan MM pickup you can get very close to the Stingray sound; So close no one will know unless they read the head stock".
I picked up the OLP 2 nights ago ($160 out the door) and added the Duncan Pickup (Mike Lull himself explained how to wire it). I set it up and played it through my Fodera 2000 outboard EQ stomp box (to simulate the Stingray's on board EQ.
Well fellow TB'ers, If it feels and sounds like a Stingray, for all intents and purposes it is a Stingray. I'll continue to call it an OLP however I will sleep well knowing that I have saved myself $1000 by doing a bit of homework.
You may be wondering about the wood differences, etc.
Keep in mind that Musicman states that they use "Select hardwoods", meaning they reserve the right to use any number of woods in stock, therefore any two Stingrays may not be made of the same wood and you may get a slightly different tone between the two. The painted OLPs are made of Basswood; Many $1000+ basses are made of basswood because of its desired rich, warm tone. I think the biggest factor in getting the Stingray sound is the precise placement of the pickup relative to the nut, again the OLP matches this pretty well. They both use quarter sawn North American Maple for the neck and jumbo frets.
Yea, the detailed finish work is better on the Stingray but $1200+ VS. $229, I can have Mike Lull rework some of these details and still pocket hundreds.
If you're looking for the Stingray look and sound and aren't conserned with what's on the headstock OLP IS THE TICKET!!!
Don't take my word for it, go check it out!!
Thanks...
Lately I have been playing the heck out of my Sterling and I thought, "hey wouldn't it be nice to have a Stingray as well - just for the heck of it". About a week ago I stumbled accross an OLP Stingray copy in my local Guitar Center. One of my students has one but I never payed much attention since I though of it as just a "cheap copy".
To make a long story short, I made some side-by side, front to back, periphery to periphery comparisons between a real Stingray and the OLP and I'll be darned... the geometry matched spot on!!! The only difference was that the OLP body was about .20 thinner than the Stingray. The OLP had a tighter neck joint and better made tuners. The Stingray has a better bridge and better detailed fret finishing.
I then A/B'ed the 2 basses using a nice amp and although the Stingray put out a hotter signal due to the preamp (the OLP is passive), I could tell that with some higher quality electronics I might be able to get a real Stingray tone.
I called Mike Lull guitars (Yes, THE Mike Lull. He's here in the area) to ask their opinion of weather it would be worth it to do the electronics swap. Roger told me "as long as you have a good neck and use either a Bartolini or Seymour Duncan MM pickup you can get very close to the Stingray sound; So close no one will know unless they read the head stock".
I picked up the OLP 2 nights ago ($160 out the door) and added the Duncan Pickup (Mike Lull himself explained how to wire it). I set it up and played it through my Fodera 2000 outboard EQ stomp box (to simulate the Stingray's on board EQ.
Well fellow TB'ers, If it feels and sounds like a Stingray, for all intents and purposes it is a Stingray. I'll continue to call it an OLP however I will sleep well knowing that I have saved myself $1000 by doing a bit of homework.
You may be wondering about the wood differences, etc.
Keep in mind that Musicman states that they use "Select hardwoods", meaning they reserve the right to use any number of woods in stock, therefore any two Stingrays may not be made of the same wood and you may get a slightly different tone between the two. The painted OLPs are made of Basswood; Many $1000+ basses are made of basswood because of its desired rich, warm tone. I think the biggest factor in getting the Stingray sound is the precise placement of the pickup relative to the nut, again the OLP matches this pretty well. They both use quarter sawn North American Maple for the neck and jumbo frets.
Yea, the detailed finish work is better on the Stingray but $1200+ VS. $229, I can have Mike Lull rework some of these details and still pocket hundreds.
If you're looking for the Stingray look and sound and aren't conserned with what's on the headstock OLP IS THE TICKET!!!
Don't take my word for it, go check it out!!
Thanks...