Finally obtained a Subway D350 amp and Subway 112 cab. Sounds fantastic!
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Congratulations. That’s the setup my Rumble 40 wants to be when it grows up. I don’t think it will happen though.
Exactly! One of the reasons I like it so much.….The silence from the fanless design is an amazing experience.
You might surprise yourself. I started with a Rumble 25, then got an Ampeg RB110 (great combo, BTW)….Now I feel like I’ve “graduated” with the Mesa.Congratulations. That’s the setup my Rumble 40 wants to be when it grows up. I don’t think it will happen though.
The D-350 is plenty loud for me.Don't sleep on the D-800. It is not much bigger and offers a similar feature set with more wattage.
I almost included a variable HPF, but that would have made the chassis about a inch wider and that did not align with the need for a very compact amp and the perception of simplicity that goes alonng with the D-800.I'd own one of it were equipped with a variable high-pass filter and capable of driving a 2 Ohm load.
A FRIEND HAS THIS HEAD D 350 with a super compact barfaced speaker, he plays with a Fender Precision Bass flat strings labellas, the sound is exquisite
I bought this Mesa Subway D350 4 years ago and paired it with two GK Neo IV 112 cabs.
I use it for practice and shows and surprisingly, never needed anything more powerful than that with a band and a non-amplified drummer.
The money is in the bank for a Mesa 800 watts amp but so far it stays there. The D350 is up to the task for any p bass, jazz bass or five string bass without a sweat.
The fact it’s dead silent at low volume when I practice alone is now a big plus for me.
I love the width, and wouldn't object to making the unit a bit taller.I almost included a variable HPF, but that would have made the chassis about a inch wider and that did not align with the need for a very compact amp and the perception of simplicity that goes alonng with the D-800.
If it were to drive a 2 ohm load (which would be possible with some additional circuitry), the chassis would need to get larger and a fan would be necessary, which also goes against the compact, fanless feature set. We found that most (not all) players looking for an amp in the <400 watt range weren't interested in 2 ohm capability because that would be much less power than most players using 2 ohm loads were looking for. With 4 x subway 115's for instance, that would be a little over 75 watts per cabinet.
Pretty much the set-up I used a number of times when testing out the head (except I have two Neo 112 IIs) and the D-350 was more than enough at every gig. I also used it with a Berg CN212 (4 Ohm) and it handled larger venues/halls just fine without even getting warm.I bought this Mesa Subway D350 4 years ago and paired it with two GK Neo IV 112 cabs.
I use it for practice and shows and surprisingly, never needed anything more powerful than that with a band and a non-amplified drummer.
The money is in the bank for a Mesa 800 watts amp but so far it stays there. The D350 is up to the task for any p bass, jazz bass or five string bass without a sweat.
The fact it’s dead silent at low volume when I practice alone is now a big plus for me.