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NAD: Yep.... Mesa TT800 and Subway 115

So far I set it to the recommended setting in the Instant Gratification section of the manual. As stated in my review, clarity of this rig is outstanding. So it's one of the knows I haven't fiddled with much yet.

I'm a huge fan of the Broughton Always On in front of both my SVT and Walkabout rigs. And, so far, the one on the TT hasn't given me a reason to mess with it. I'll make a note to experiment with it tonight and get back to you. Any specific questions or concerns? I'm happy to listen for specific things for you.

Edit: I just looked up the manual and the setting is "9 o'clock". So if I had to guess we're looking at 40-45Hz maybe? @agedhorse would that be about right?
Yup, pretty close.

Nice review, I think it captures the essence well.
 
Please compare your new rig to the walkabout stack...

Just a general compare/contrast? Or is there something specific you want me to dive into?

One thing to note already is clarity. I love the Walkabout for what it does. (I have done many a gig with that stack. Kills every time.) It hangs with any amp as far as warmth goes. I don't buy into it being so "loose" on the bottom end. But, then again, I use a Broughton Always On in front of it, so there's that. But it will get punchy for days.

The Walkabout and Boogie channels share some common ground, although different. They both can do old-school gooey goodness.

However, the Subway channel runs laps around the Walkabout if you're looking for clean, articulate, straightforward bass tone. It's by no means sterile. It still has a tube front end. It has lots of character. But it can get into crystal clear territories where the Walkabout gets left behind.

Short version: Although different, the Boogie Channel and Walkabout are "close enough for rock n roll" as far as sonic territory they cover. The sound of the Subway channel is simply not available to the Walkabout. And I adore the Walkabout, so that's not a knock on it.
 
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Thanks! Only the neck is Ibanez. It came off if a destroyer bass. Nobody seems to know the origin of the body. I bought as you see it.

It looks good when I'm singing Journey or The Outfield. :D
Excellent post - thanks for sharing!
The pink bass body looks like an old Charvel PJ with a swapped out bridge. Bridge is maybe a replacement. I had a red one back in the day.
 
Yup, pretty close.

Nice review, I think it captures the essence well.

Nice amp!

Seriously though, your assessment of the layout of the head early on was dead on. Once I got the Insrant Gratification settings dialed in and started playing, I wasn't intimidated by all of the controls at all. I would simply think "I wonder what would get me from where I am to where I want to be". And I was almost always right when I flipped a switch or adjusted a dial. It's extremely intuitive. I just instinctively grabbed the switch or knowb that "makes sense". And it ALL just "makes sense".

By the time I was done playing, I thought "Andy gets me". :cool:

(Seriously, you don't have cameras in my jam room, do you?):wideyed:

And, really, I can't overstate this. The cab is something special. Congrats again to all involved. And thanks again for keeping us in the loop, and on your mind, as you navigate the minefield of what weirdo musicians want. Y'all hit the bullseye with the Subway line from top to bottom.
 
Excellent post - thanks for sharing!
The pink bass body looks like an old Charvel PJ with a swapped out bridge. Bridge is maybe a replacement. I had a red one back in the day.

I posted a thread about it somewhere in the Basses section. I even posted the neck pocket and whatnot. Collectively, we didn't come to any firm conclusions on the body.
 
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Killer rig!
I have a WD800 that will get its first chance to show what it can do at a gig this weekend. I bought it in December since the band got booked to do a festival. Also, I bought Subway 210 to go along with my 15.

Yeah if and when to get another cab is now just a discussion for fun. I don't "need" it. But it sure could be fun to either stack this one on top of another 15 or play around with a 210, 112, etc. combination.
 
Killer rig!
I have a WD800 that will get its first chance to show what it can do at a gig this weekend. I bought it in December since the band got booked to do a festival. Also, I bought Subway 210 to go along with my 15.

Please post up somewhere about your experience with the 210 and 115 as individual cabs, and then played together. The more I look around and see, I'm leaning towards the 210 being the next cab I add to the 115. With no chance to demo them within a reasonable drive, I am relying on youtube reviews and talkbass to guide my purchasing decision! Thank you!
 
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So far I set it to the recommended setting in the Instant Gratification section of the manual. As stated in my review, clarity of this rig is outstanding. So it's one of the knows I haven't fiddled with much yet.

I'm a huge fan of the Broughton Always On in front of both my SVT and Walkabout rigs. And, so far, the one on the TT hasn't given me a reason to mess with it. I'll make a note to experiment with it tonight and get back to you. Any specific questions or concerns? I'm happy to listen for specific things for you.

Edit: I just looked up the manual and the setting is "9 o'clock". So if I had to guess we're looking at 40-45Hz maybe? @agedhorse would that be about right?
I don't really mess with the HPF at home. It is on the gig where I set it to sound best with the band and it works very well.