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Nash vs Vintage P

It takes a whole lot of careless loosening and tightening of neck screws to do that and even if that does happen it's the easiest thing to fix. Unless an ape has radically destroyed the screw holes in the flat butt of the neck, the fix can be completely invisible. If the holes are extremely damaged it's still most likely--we can't 100% account for all of the damage anyone or everyone might inflict--else an easy repair.

Not maintaining truss rod adjustment for proper neck relief is a much greater long-term risk to the health of any neck than the risk of damaging mounting screw holes.
That's good to know. And I'm a decent framing carpenter so I'm comfortable working with power tools. But I also have a propensity to nick, bang, over tighten, over sand etc that doesn't lend itself to more delicate projects. So rational or not, it gives me pause.
 
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The ONLY way you will know which bass to buy is to PLAY it. I've ordered basses made by top makers that ate poop and barked at the moon. The least expensive bass I own is better than almost all of my others. A good friend of mine used to be with Nash. He came from James Tyler's shop. They can do good work. Just make sure you can get a return policy from whoever you buy from if you can't play it before you buy it. jmho
 
That's good to know. And I'm a decent framing carpenter so I'm comfortable working with power tools. But I also have a propensity to nick, bang, over tighten, over sand etc that doesn't lend itself to more delicate projects. So rational or not, it gives me pause.

Use the clutch and maybe less caffeine. ;)

3 is all those screws need, more then 4 is overkill.

IMG_7633 copy.jpg
 
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I had a 1972 - so not pre CBS and it was Meh. I sold it and made bank. I know you want pre-cbs or something vintage looking. However an American Standard P from 2008-2016 with the CS 62 pickup are usually awesome, sound wise and is a great bargain (locally there was one for 800 and sounded really great, I am not a P guy but this one makes me like to play a P). Not nitro but everything else is awesome IMO. Just a thought.
 
Here’s my $0.02. I’ve owned basically everything and as much as there are some universal rules, you still have to get your hands on whatever you’re thinking about. The fact that my two favorite P-basses are my old 1972 dinosaur and my relatively new CS Precision bears little relation to whether Nash, Moollon or Olinto make great basses. They do, totally. But you need to sit with them and see if they harmonize with you. We have all had expensive dogs. I have!!! Not all versions are equal. Good luck whatever path you choose!
 
It's evident that a lot of players who talk about this stuff either do not set up or maintain adjustments to their instruments at all or barely do and don't feel confident about doing so. I know I can make any bass I've owned--Fender (MIA, MIJ, and pre-CBS Fender), Nash, and my DIY builds--play and sound like dog crap or amazing with a few turns of a few screws.

Considering that, I wonder to what extent people's impressions or perceptions are a function of the setup on whatever given instrument in question.
 
I had a 1972 - so not pre CBS and it was Meh. I sold it and made bank. I know you want pre-cbs or something vintage looking. However an American Standard P from 2008-2016 with the CS 62 pickup are usually awesome, sound wise and is a great bargain (locally there was one for 800 and sounded really great, I am not a P guy but this one makes me like to play a P). Not nitro but everything else is awesome IMO. Just a thought.
I have a 90's Pbass special that has an amazing maple neck. The pots were trash and had to be replaced, but the neck/build punches way above it's weight.
 
It's evident that a lot of players who talk about this stuff either do not set up or maintain adjustments to their instruments at all or barely do and don't feel confident about doing so. I know I can make any bass I've owned--Fender (MIA, MIJ, and pre-CBS Fender), Nash, and my DIY builds--play and sound like dog crap or amazing with a few turns of a few screws.

Considering that, I wonder to what extent people's impressions or perceptions are a function of the setup on whatever given instrument in question.

As person who owns exactly two basses, I admit I don't setup much. No need to.

I also admit to never setting up my PB63 since I got it, as I never felt there was a need.

That's my very limited experience as a player and not a collector/connoisseur.

I did setup my Sire M7 to my own liking, but that's not really what this thread is about so not gonna Segway any further.
 
Dave Reimer in Vancouver is worth mentioning as well as he makes great vintage type basses, though without the relic treatment.

I’m pretty sure Dave does relic his instruments on request.

Dave (Reimer Guitars on Facebook) has been a passionate aficionado of vintage instruments since I met him in the 80s or 90s. His basses today play like a dream and are almost entirely handmade from headstock to tail button but they are startlingly underpriced. I won’t give the game away but those who know his work are often shocked that they’re still less expensive than some parts basses. Can’t recommend them highly enough.
 
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No, I'm very comfortable adjusting the truss rod. It's loosening and re-tightening the neck bolts that gives me anxiety. My Moollon requires the neck bolts to be loosened, and every custom shop I've considered purchasing is the same.
That’s surprising on a modern bass. It’s an unnecessary pain in the ass. I’m not afraid of unscrewing necks but I’ll be damned if I have to just to adjust the truss rod.
 
When people say this as though it's making a point of distinction I have to wonder what they think Fenders are.

Its not hard to distinct... Sure, many companies make bolt-on gutars/basses. However, companies like Fender, and Yamaha make their own bodies and neck and have their own hardware too.
Nash, merely assembles "parts" all made by other commercial companies...all of which you can buy on your own and assemble just as well. Only difference being the paintwork/reclicing...which doesn't look authentic anyway.
 
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I've dipped my toes into the deep vintage well a few times.:D
Same here. Tons of guitars from the 50s and 60s … mostly Fender and Gibson, but also Gretsch and some oddballs (Dan Armstrong, etc)

MJT is as close to a vintage guitar finish as I have ever come across. And they’re great folks to deal with!

One more thing, get yourself a celluloid pick guard from Spitfire. I have one of their red tort guards on my 48th Street Custom PBass. They also offer light relicing treatment, and you’d swear it was from 1962.
 
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