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Double Bass Nat Hentoff, R.I.P.

Don Kasper

Gold Supporting Member
Dec 30, 2012
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Los Angeles/Burbank, CA
Nat Hentoff, Journalist and Social Commentator, Dies at 91
Also a Jazz Critic.

(excerpted from the NY Times obituary):
The Hentoff bibliotheca reads almost like an anthology: works by a jazz aficionado, a mystery writer, an eyewitness to history, an educational reformer, a political agitator, a foe of censors, a social critic. He was, indeed, like the jazz he loved — given to improvisations and permutations, a composer-performer who lived comfortably with his contradictions, though adversaries called him shallow and unscrupulous, and even his admirers sometimes found him infuriating, unrealistic and stubborn.

In the 1950s, Mr. Hentoff was a jazz critic in Manhattan, frequenting crowded, smoky nightclubs where musicians played for low pay and audiences ran hot and cold and dreamy. “I knew their flaws as well as their strengths,” he recalled, “but I continued to admire the honesty and courage of their art.”
 
Nat Hentoff, Journalist and Social Commentator, Dies at 91
Also a Jazz Critic.

(excerpted from the NY Times obituary):
The Hentoff bibliotheca reads almost like an anthology: works by a jazz aficionado, a mystery writer, an eyewitness to history, an educational reformer, a political agitator, a foe of censors, a social critic. He was, indeed, like the jazz he loved — given to improvisations and permutations, a composer-performer who lived comfortably with his contradictions, though adversaries called him shallow and unscrupulous, and even his admirers sometimes found him infuriating, unrealistic and stubborn.

In the 1950s, Mr. Hentoff was a jazz critic in Manhattan, frequenting crowded, smoky nightclubs where musicians played for low pay and audiences ran hot and cold and dreamy. “I knew their flaws as well as their strengths,” he recalled, “but I continued to admire the honesty and courage of their art.”


Thank you for acknowledging. I enjoyed his contributions -- Hentoff witnessed, first-hand, much of the rich american musical history I find I often take for granted.
 
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For a lot of players my age (b1949), critics like Hentoff were part of it. Hip intellectuals were into jazz, and even if their musical perceptions were sometimes a little spotty, they drew a lot of people, both musicians and listeners, to the music. Great writer.