• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

NBD: Ernie Ball Music Man Caprice

Inara

Fierce Fun Fretless Female
Jun 12, 2017
1,719
9,825
Seattle, WA USA
I've posted about this in the "future Caprice Megathread" as I call it (https://www.talkbass.com/threads/music-man-caprice-true-boutique-quality.1238859), but thought I'd do the obligatory New Bass Day post as well.

I am primarily a fretless player, but I do love playing some stuff that works better with frets. I had a wonderful early 70's Precision with a slimmer B neck that I loved as far as tone and playability, but it weighed about 12 pounds. I have back issues, and it got to where I couldn't play even one full set with it, so I regretfully sold it a while back. So I went for about 18 months without a fretted bass, but then decided to get one again, as I'd like to find a fun funky bluesy sort of project to play in. As I was starting to look around, the Caprice kept coming up as a lighter weight and stellar quality instrument.

I found the thread I linked above, and @Dr. Cheese 's posts and clips, which were extremely helpful. What tipped the scales and made my decision, was the Premier Guitar review () ... the tone of the P pickup in that review was nicely reminiscent of my old P, and this bass is much lighter and has a nice fast, narrow-nut neck like I like.

It just arrived today, and I'm blown away at the tone, quality, and playability. I've never gelled with bridge pickups, except for a Stingray ... anything closer to the bridge than that was never that usable for my hands and technique, except to just dial in a bit to add some bite to the neck pickup. This one is wonderful, for me. I finally have a two-pickup bass where I can actually see using both of the pickups soloed in different settings, and the range of tones available by blending is just awesome as well. And I can actually effectively dig in and play over the bridge pickup on this one, which I've never been able to do on a jazz ... my "effective range" for right hand position was always from the end of the neck down to about two-thirds between the neck pickup and the bridge pickup, and the sound got too thin any closer to the bridge than that. I know that's mostly a statement about my hands, but the cool thing is that this bass just suits my playing pretty much perfectly.

Construction, fretwork, etc, are top notch. Action was too high for me out of the box, but five minutes adjusting the bridge (didn't touch the truss rod) and it's very nicely low, like I like it. Many would have loved it where it was set when I received it, but I like a pretty low action.

It weighs 8 pounds 6 ounces. It has a tiny bit of neck dive, nothing major. Playing standing, with my hands on the bass and forearm resting on the body, it's fine, but if I lift my hands and forearm, the neck slips down some. I'll be putting some Hipshot Ultralights or the Gotoh Resosonic tuners that someone recommended in the other thread on it. I'm pretty sure that just saving a very few ounces will make it just about perfect.

Anyway, here she is! I'm in love, lol.

caprice_2.jpg
caprice_3.jpg
caprice_4.jpg
 
Last edited:
View attachment 1166675 View attachment 1166676 View attachment 1166677 I've posted about this in the "future Caprice Megathread" as I call it (https://www.talkbass.com/threads/music-man-caprice-true-boutique-quality.1238859), but thought I'd do the obligatory New Bass Day post as well.

I am primarily a fretless player, but I do love playing some stuff that works better with frets. I had a wonderful early 70's Precision with a slimmer B neck that I loved as far as tone and playability, but it weighed about 12 pounds. I have back issues, and it got to where I couldn't play even one full set with it, so I regretfully sold it a while back. So I went for about 18 months without a fretted bass, but then decided to get one again, as I'd like to find a fun funky bluesy sort of project to play in. As I was starting to look around, the Caprice kept coming up as a lighter weight and stellar quality instrument.

I found the thread I linked above, and @Dr. Cheese 's posts and clips, which were extremely helpful. What tipped the scales and made my decision, was the Premier Guitar review () ... the tone of the P pickup in that review was nicely reminiscent of my old P, and this bass is much lighter and has a nice fast, narrow-nut neck like I like.

It just arrived today, and I'm blown away at the tone, quality, and playability. I've never gelled with bridge pickups, except for a Stingray ... anything closer to the bridge than that was never that usable for my hands and technique, except to just dial in a bit to add some bite to the neck pickup. This one is wonderful, for me. I finally have a two-pickup bass where I can actually see using both of the pickups soloed in different settings, and the range of tones available by blending is just awesome as well. And I can actually effectively dig in and play over the bridge pickup on this one, which I've never been able to do on a jazz ... my "effective range" for right hand position was always from the end of the neck down to about two-thirds between the neck pickup and the bridge pickup, and the sound got too thin any closer to the bridge than that. I know that's mostly a statement about my hands, but the cool thing is that this bass just suits my playing pretty much perfectly.

Construction, fretwork, etc, are top notch. Action was too high for me out of the box, but five minutes adjusting the bridge (didn't touch the truss rod) and it's very nicely low, like I like it. Many would have loved it where it was set when I received it, but I like a pretty low action.

It weighs 8 pounds 6 ounces. It has a tiny bit of neck dive, nothing major. Playing standing, with my hands on the bass and forearm resting on the body, it's fine, but if I lift my hands and forearm, the neck slips down some. I'll be putting some Hipshot Ultralights or the Gotoh Resosonic tuners that someone recommended in the other thread on it. I'm pretty sure that just saving a very few ounces will make it just about perfect.

Anyway, here she is! I'm in love, lol.

View attachment 1166675 View attachment 1166676


Inara, congratulations on a wonderful bass! I am also happy to know that my posts helped you make a choice that has pleased you.
 
Thank you!

You're more than welcome. Like you I'm not overly wild about most bridge pickups. Especially soloed. But those huge pole pieces promise some interesting possibilities and harmonic richness. Besides, it's a MM so you already know it was carefully designed and crafted to deliver that sonic goodness MMs are renowned for. And you being a fretless player, I'm guessing you're all about tone from the get go. So that bass looks like a potential match made in heaven.

Rock it for all it's worth. I'm sure it's in good hands.
 
Great color and maple too!
Congrats!
Thanks! I love light colors + maple for fretted basses ... that's just what they feel like to me. Dark colors and ebony for fretless, lol (though my current main fretless is silver - it was too good a bass at too good a deal to pass up). I know it's weird, but the way I experience them is "fretted = day / sunshine, fretless = night / moonlight." Not that I can't coax either of them to make me feel the opposite of that, but that's their most natural feeling, to me. Probably too much insight into my little mental idiosyncrasies there, but oh well. ;)
 
The nice thing about new, you bought from a high-quality builder, it's very nice looking and new means they are responsive to your adjustments and are even from nut to bridge. Congrats.

P.S. For what it's worth, collect all the tags, receipt, and anything EBMM sent in the case you aren't going to use when you play the bass; the 'case candy' and put it in a large ziploc bag & file it with your other musical stuff. If you ever decide to sell or trade the instrument, having those items adds value. I play the hell out of my basses but, if I ever sold one, I always have the tags, original strap, cord & whatever else was there when I bought it.
 
Last edited:
Congrats! Instant GAS - though I'm curious how it would compare to a Sandberg VT in terms of tone and weight.

What's with the string slots in the nut?

I was wondering the same thing myself! I looked it up ... from the Ernie Ball FAQ:

I see that your basses have been shipping out with a different kind of nut. What is it and what is its purpose?

The new nut is called a Compensated Nut. We have a patent on this design.
The purpose of this new nut design is to improve note accuracy all over the fretboard. This is most apparent at the lower frets. There is no special tuner, setup, or intonation required. This nut is standard on all Music Man guitars and basses - even SUBs. The Compensated Nut has been engineered to improve your Music Man instrument's potential to play perfectly in tune up an down the fretboard. Each string has an individual intonation pocket that slightly changes the effective string length, causing notes that traditionally play sharp to be more in tune. The design has been optimized for standard string gauges and tunings, but will be of benefit when used with alternate tunings, string gauges, and playing styles.​