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My sister and my brother...
Respectfully, I find the p'ups on this bass to be the finest I have ever heard by a wide margin. Just goes to show that tone is a subjective, rather than objective, thing. The '62 AVRI p'ups are good too, but could NOT be more different. I have one of those in my '04 Am Std. Different tools for different jobs, but I think this '63 P will get to see at least 80% of all my future gigs.
The dots are small and tan-colored. For extremely highly skilled bass players like me, this is not a problem. I am kidding.
I have two of these '63 AVRI Precisions, so I will be selling one. Here. 3TSB/Tort. I just need to stop being lazy and list it.
Red (Seminole Red?) getting super rare to catch nowadays ...HEY - so this stunner showed up last week ... I expected great, got AMAZING. One of the best off-the-line Fender Ps I’ve ever owned, and a dead-on ringer for the model that inspired it. Can’t keep my eyes/hands off it!
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I like the ‘63 PV pickups ... but not as much as the EMG GZRs (which are also much much quieter) ... sorely tempted to swap em, but ‘value’ side of the equation nags me!
The PV ‘63 are nice vintage-voiced P-bass pickups, a little on the hot side but excellent overall.Agree on the pickups - sound excellent and very authentic (and I haven't bought those so not confirmation bias)
Yeah ... but I just go at it using a StewMac Tele trussrod crank and let the pickguard be damned!Truss adjust at the heel. Nice bass though!
A lot of people in this thread on the same page as me. Currently debating between AVRI63, Nash PB63, or American Original 60s.
All three at varying prices and availabilities...
Simply to cut costs. The American Originals are very similar (same pickups), but use the same necks as on the modern production Fender basses. Or maybe younger players don't care too much about accuracy. My consipracy-theory: these basses were a loose-loose situation for Fender. They were too expensive to sell enough for a production instrument AND too cheap in comparison to Custom Shop instruments with comparable quality.Never understood why they stopped making this bass. I've heard it's maybe the best reissue bass Fender ever did.
A lot of people in this thread on the same page as me. Currently debating between AVRI63, Nash PB63, or American Original 60s.
All three at varying prices and availabilities...
All good .. I’d like to try a Nash sooner or later ..A lot of people in this thread on the same page as me. Currently debating between AVRI63, Nash PB63, or American Original 60s.
All three at varying prices and availabilities...
It's seminole red. I had the same model
Necks are different, the fretboard radius is the same and it’s the only substantial difference between the AO ‘60s and the AVs (9.5” vs. 7.25”).Simply to cut costs. The American Originals are very similar (same pickups), but use the same necks as on the modern production Fender basses. Or maybe younger players don't care too much about accuracy. My consipracy-theory: these basses were a loose-loose situation for Fender. They were too expensive to sell enough for a production instrument AND too cheap in comparison to Custom Shop instruments with comparable quality.
The American Originals ... use the same necks as on the modern production Fender basses.