I had a black ATK205 that I really liked but sold it in a stupid move. I had been looking for an ATK805 ever since. I bought this one from GC a few months ago and I think it does what a Lakland 5502 (which I also own) tries to do. I agree with everything you wrote about it. They are the most versatile basses I've ever played. I changed out the PG for a custom made cream one just because I liked it better.
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I also have a 95 SR5, a Pbass Pro V, and a new Ultra Jazz V. The ATK805 can cop the SR5's tone in parallel if I solo the bridge pup, switch in the middle and turn down the treble and mids about 1/2 while leaving the bass centered. With the switch towards the bridge, bass and mids centered and the treble down maybe 1/4th it has a very convincing Jazz bass tone. With the neck pup soloed, bass and mids centered and the treble clear down it is a pretty convincing p-bass. There are other combinations that I like but don't resemble anything I've played.
None of this means much if it feels and plays like crap and it doesn't, it feels and plays with a solid, refined feel. 18mm spacing and a rather flat, fast radios. Although I prefer a medium setup, I can set the string height lower on this bass that I can on any of my other basses. Congrats and enjoy (jmho)
Been way too long since I owned my early/mid-ninties SR5.
I know that ATK sounds killer to me when it's in Stingray Mode, and instantly takes me back to my Stingray days and that tone I love so much.
But sadly, I don't have anything to do any direct A/B testing. I just know it sounds incredibly close to my ears.
Thanks for your take on how to cop an era-correct tone on the ATK805!
