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NBD: Kiesel IC5 :-(

It's apparently specific to the Raw Tone Satin finish although I can only guess as to why. IIRC, certain custom options will void the normal 10 day return guarantee. Apparently, this applies to customer-spec'd instruments and off-the-rack purchases.

Riis[/QUOTE

Well, that’s great for Kiesel, but obviously not always good for their customers. Live and learn though, right?
 
Well, that’s great for Kiesel, but obviously not always good for their customers. Live and learn though, right?
Because their raw tone finish is so thin that as soon as it's touched it's never the same again and very difficult to resell. The finish is designed to let the natural wood breathe but the owner needs know for that purpose it wears easily, most concerns with any thin rawtone or satin finish is that it will become glossy over time.
 

The neck pickup sounds like a over-nasally...”

......................
Got my new IC5 today.
I bought it from the Guitars-In-Stock selection.
SwampAsh, Walnut top, 5pc Walnut/Maple

I’ve been playing for just over 8hrs....can’t find one good sound.
I’ve adjusted the pickups to all extremes and then back to factory spec.

I believe the problem comes down to 2 elements:
1: StainlessSteel Frets
2: Pickups

On paper, stainless steel seems better. Eventually, frets wear out. But if we make frets harder, that must be better.
If you like pinging fret noise that is omnipresent even with the Treble lowered all the way, sure.
In all the hours of EQ’ing and pickup adjustment, the pinging only goes from worse to worser. No-treble dub was still plagued by the SS fret ping.

These pickups have the white dot.
So, KRH or RadHV?
The neck pickup sounds like a over-nasally bridge pickup and the bridge pickup is not musical at all.
The pickups do a great job at amplifying the SS fret ping.
They also introduce some odd harmonic overtones to everything. When I mute the note, that makes a loud overtone that makes the muting sound like a harmonic note if the midrange were turned up all the way.

Another oddity, it almost seems like the preamp is digital, or at least the pickup knob is.
When the pickup knob is at center detent and then adjusted ever so slightly in either direction, there is a cut-out that enters into a weird phase when going further towards either pickup.
Maxing either pickup and then rolling a little bit of the other pickup in also does this.
And the pickup knob in general is odd in that between full-on and center detent, it sounds like that pickup with just a little difference. What I mean is that the pickups dont play together to make unique tones. Basically its neck pickup, 50/50, and bridge pickup. Blending anywhere between detent and neck is just neck tone with more nasal. Bridge pickup rolling in more neck pickup is still just the nasal bridge sound but a little woofier/darker.

Does anybody have a bass with the white-dot Radiums that produces great tones?

Anyone else extremely disappointed in the SS frets?

I really wanted to like this bass and I regret giving Kiesel a chance, especially when they dont do 10-day return on an RTF, even if its a Showcase /G-I-S purchase and i never asked tgem to build it with RTF. I just assumed they wouldn’t make something this unmusical.
To me, thats a defect and ought to be remedied.
Why should a returning customer be punished for Kiesel trying to exhibit their options in available finishes.

I deeply regret not going with the NS Design CR5 or the Stingray 5 Special.
My Ibanez SR505 with non-USA MK1 Barts has better tones, and several of them, than this IC5.
I cant believe how different this experience is from my LB70p from 2000/2001. That bass was a dream and always created beaitiful experiences.
I have pointed a bunch of musicians towards Kiesel since my experience with my ‘01 LB70.
This, though. Im honestly deflated.
I have to wonder how this passes QC. Maybe there is no bassplayer who checks the basses to make sure they are musical to the ear and not just pretty to look at. Maybe this is what Kiesel believes is musical.

Sincerely,
Bunming hard with a $2,200 paper-weight.


Update:
I swapped strings from my Ibanesz, DR Hibeams.
They are darker than the Dunlops and give a better voice, but the tones are still unusable and the steel frets still plague me even with the trble tirned off and the high mids scooped all the way
The neck pickup sounds like a over-nasally

once i read you say “over-nasally “... i quit reading. you basically said you’re never going to be happy with it, at that point

so you don’t like a certain bass that ya ordered online?,... end of world!(sarcasm)
 
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Either there is something wrong with your fingers, or something's wrong with the bass. Did you check it out, as in the electronics?

Did you do a full setup on it, not just adjusting pickup height? Unless you live right down the street in Escondido or San Marcus, you'll have to after it fully adjusts to your climate.

Also, Kiesel ships their basses with Dunlop Super Bright strings. To some their hideously bright, pinging (not the ICMP type). To me, they're too bright and it forced me to raise the string height to get a cleaner tone towards the mids. Loved their balanced feel, but that was about all.

I switched my V59K to GHS pressurewounds and it made a big difference. I have the single coil radius, green dot, btw.
 
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Wow, feel bad for you bro. BUT, Carvin/Kiesel customer service is pretty good though(in my experience). I would get on the phone with them on Monday and walk them through your issues. They will try to make it right. As noted, tone is subjective. I am gigging my Kiesel PB5 tonight. It is from the their "guitars in stock" selection as well. only thing I have done to it is have my guy set it up. It sounds great. So much so that I ordered a new LB70 after playing it for a while. I also have an the older BB75 and an Icon 5 under the Carvin brand. Did not dig the sound so I did some mods. My BB75 has Sadowsky pickups and a glockenklang pre, while my Icon has Aguilar soup bars and and OBP3 preamp. I bought both used so the overall cost with upgrades was not to bad. That said, I think the new stuff is really good right out of the box. Sucks that you might have gotten a lemon, but hopefully they will do right by you. I would be interested to hear how this plays out.

Good luck with it, and keep us posted.
 
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I'm sorry to hear about your problem. I received a IC5 last year that a ordered. I haven't had the issues you speak of however I did not order the SS frets. I had the SCP installed and I find I use the pickup more than the standard soapbar. I do use the blend but only a little. Contact Kiesel, I found working with them very easy.
 
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Those pickups are Bartolini P2 size. Thats a common soapbar shape and you have tons of pickup replacement options that will change the voice of that instrument in a nano-second. Nordie, Bart, Seymour, Aguilar DCB, the list goes on and on. The Bart soapbar is very warm but scooped sounding, some people really dig that. Good luck.
 
If you're stuck with it, you can probably change the electronics completely and hear a big difference in the sound. Obviously that is a larger investment than you hoped to make, but if all the other solutions people suggested here about ensuring it's wired correctly now fail, and you can't return it, it's an option.

Personally IME, if your goal is to tame an instrument that is a little too harsh on the top end, I'd consider a Bartolini setup. Those have a rep as being mellow and polite, which could be a good mix with that instrument. Alternatively, reach out to Carey Nordstrand here or an Facebook and ask him for his suggestion, which would be considerably more informed than mine.

Personally I'd avoid buying out of the in-stock inventory from a company that has a direct-to-consumer model. Those companies build as few spec instruments as they can. I guess it might just be a demo, but there are many other reasons why a bass would end up in their inventory and few of them good.

Best wishes. Poor situation.

Edit: I see that @Doug Parent made the same recommendation just above this, but much more efficiently than I did.
 
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I bought a B5 out of the in stock section about 8 years ago. After about two years I had an issue with the active preamp cutting out. Batteries changed had no effect. I called tech support and they sent out a new preamp because the electronics we're still under warranty. That might be an option.

I also put a set of Hi-Beams on my B5, and a set of Black Beauties on my LB75, and neither sound very good, especially the Hi Beams. I'm not very impressed with the Hi Beams.

BnB
 
Ive changed the batteries.
Changed the strings.
Tried different pickup setting froms super close to super distant and everything inbetween.
Different truss rod settings.
Different action.
Changed my righthand technique.
Checked the electronics (with my eyes, not instruments).
I went from 1mm to 3mm action and none of them or anything in between was acceptable.
My LB70 had amazing sounds everywhere with any setup. Using the blend knob created a variety of sounds and was far from hust three settings.

Again, I dont want to have to be limited to certain strings or drop several hundred more dollars on an electronics/PU swap to chase a tone that may or may not be acceptable.

Im going to push for a refund when I call on Monday.

Great bass for a slap-style player, awful for me.

I will ask Kiesel about the history of this bass. When was it made? How long was it in the demo/showroom without sale (basically how many other people were unhappy with it)? Was it ever sent out and returned?
 
Ive changed the batteries.
Changed the strings.
Tried different pickup setting froms super close to super distant and everything inbetween.
Different truss rod settings.
Different action.
Changed my righthand technique.
Checked the electronics (with my eyes, not instruments).
I went from 1mm to 3mm action and none of them or anything in between was acceptable.
My LB70 had amazing sounds everywhere with any setup. Using the blend knob created a variety of sounds and was far from hust three settings.

Again, I dont want to have to be limited to certain strings or drop several hundred more dollars on an electronics/PU swap to chase a tone that may or may not be acceptable.

Im going to push for a refund when I call on Monday.

Great bass for a slap-style player, awful for me.

I will ask Kiesel about the history of this bass. When was it made? How long was it in the demo/showroom without sale (basically how many other people were unhappy with it)? Was it ever sent out and returned?
It should've come with a build sheet with the specs and build date info. It sounds to me like it needs repair and you can get it fixed with the warranty, they're quite firm on refunds unless you're buying something else but I haven't had to go there personally. Just explain everything in detail to them like you have here and I'm sure things can be worked out.
 
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I'm sorry you're unhappy with it, I would be murderously angry if I sprnt that kind of dough on something I didn't like.

If there is something wrong with the bass then I think they should fix it for you for sure.

If you just flat out don't like the sound, or it does not suit your style, well that's all on you. Because you don't like how it sounds does not mean it's not someone else's dream, and hardly a QC issue.

Not a fan of Kiesel myself at all, but reading through all of this it seems it does not make a noise you like and you want them to give you your money back because you have buyers regret. I'm not saying you're wrong for that at all, and I'd feel the same way personally. But you can't pin the blame on them for that.
 
I don’t have stainless frets, as I have heard they are harsh, but the EVO Golds sound wonderful. I just mailed a deposit for another bass and I am getting EVO Gold frets again. They add a different sound, like the stainless ones, and they are harder than nickel frets but they are softer than stainless steel frets. Highly recommended...a great sound indeed!
 
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