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NBD: Kiesel IC5 :-(

My main is a Kiesel PB5, I love it. However, if I left the tone flat, I’d hate it. The pickups are tinny. Very tinny.

Luckily I can roll the treble all the way off and tone down 30%. That makes it one of the best basses I’ve played. Odd how that happens

So I think you’re just experiencing the Kiesel pickup issue. Maybe consider changing the pickups. But don’t know your bass to comment further. Kiesel does make good basses though.
 
What strings are on it? What strings do you normally play with?

What tone are you normally after?

Came with Dunlop Super Bright .130
I switched them to DR HiBeams after 5hrs of playing.
I often play with Daddario XL, rotosound, DR.

Im going for modern, punchy, variably aggressive to bluesy.
Quantum 5 with a bit of Pbass with EQ’ing. Or even Stingray Special 5 realm.
Some other basses in the past Ive liked are Fender Active P special deluxe, SR505, Fender Jazz elite (with the right EQ), NS CR5, Hartfield/Fender Prophecy II.

Thumb NT is too wooly - all mids, no definitive low end.
 
Got my new IC5 today.
I bought it from the Guitars-In-Stock selection.
SwampAsh, Walnut top, 5pc Walnut/Maple

I’ve been playing for just over 8hrs....can’t find one good sound.
I’ve adjusted the pickups to all extremes and then back to factory spec.

I believe the problem comes down to 2 elements:
1: StainlessSteel Frets
2: Pickups

On paper, stainless steel seems better. Eventually, frets wear out. But if we make frets harder, that must be better.
If you like pinging fret noise that is omnipresent even with the Treble lowered all the way, sure.
In all the hours of EQ’ing and pickup adjustment, the pinging only goes from worse to worser. No-treble dub was still plagued by the SS fret ping.

These pickups have the white dot.
So, KRH or RadHV?
The neck pickup sounds like a over-nasally bridge pickup and the bridge pickup is not musical at all.
The pickups do a great job at amplifying the SS fret ping.
They also introduce some odd harmonic overtones to everything. When I mute the note, that makes a loud overtone that makes the muting sound like a harmonic note if the midrange were turned up all the way.

Another oddity, it almost seems like the preamp is digital, or at least the pickup knob is.
When the pickup knob is at center detent and then adjusted ever so slightly in either direction, there is a cut-out that enters into a weird phase when going further towards either pickup.
Maxing either pickup and then rolling a little bit of the other pickup in also does this.
And the pickup knob in general is odd in that between full-on and center detent, it sounds like that pickup with just a little difference. What I mean is that the pickups dont play together to make unique tones. Basically its neck pickup, 50/50, and bridge pickup. Blending anywhere between detent and neck is just neck tone with more nasal. Bridge pickup rolling in more neck pickup is still just the nasal bridge sound but a little woofier/darker.

Does anybody have a bass with the white-dot Radiums that produces great tones?

Anyone else extremely disappointed in the SS frets?

I really wanted to like this bass and I regret giving Kiesel a chance, especially when they dont do 10-day return on an RTF, even if its a Showcase /G-I-S purchase and i never asked tgem to build it with RTF. I just assumed they wouldn’t make something this unmusical.
To me, thats a defect and ought to be remedied.
Why should a returning customer be punished for Kiesel trying to exhibit their options in available finishes.

I deeply regret not going with the NS Design CR5 or the Stingray 5 Special.
My Ibanez SR505 with non-USA MK1 Barts has better tones, and several of them, than this IC5.
I cant believe how different this experience is from my LB70p from 2000/2001. That bass was a dream and always created beaitiful experiences.
I have pointed a bunch of musicians towards Kiesel since my experience with my ‘01 LB70.
This, though. Im honestly deflated.
I have to wonder how this passes QC. Maybe there is no bassplayer who checks the basses to make sure they are musical to the ear and not just pretty to look at. Maybe this is what Kiesel believes is musical.

Sincerely,
Bunming hard with a $2,200 paper-weight.


Update:
I swapped strings from my Ibanesz, DR Hibeams.
They are darker than the Dunlops and give a better voice, but the tones are still unusable and the steel frets still plague me even with the trble tirned off and the high mids scooped all the way.
I'm sorry this happened to you. I have a brand new Carvin PB4. Waited 4 months for it. Passive pickups. Sounds very good and plays perfect to my old ears. I think you maybe have a bad pickup. Hope you get it fixed. By the way, I had mine set up at a shop here in Wasilla, Alaska and he set up the strings as low as my Rickenbacker. They actually rub the frets slightly like Geddy Lee's bass. Maybe try the action but leave the pickups where they are? I believe Carvin has a good return policy .
 
Came with Dunlop Super Bright .130
I switched them to DR HiBeams after 5hrs of playing.
I often play with Daddario XL, rotosound, DR.

Im going for modern, punchy, variably aggressive to bluesy.
Quantum 5 with a bit of Pbass with EQ’ing. Or even Stingray Special 5 realm.
Some other basses in the past Ive liked are Fender Active P special deluxe, SR505, Fender Jazz elite (with the right EQ), NS CR5, Hartfield/Fender Prophecy II.

Thumb NT is too wooly - all mids, no definitive low end.
I think you've thought of everything. It is the bass. I do not think I've ever noticed steel frets sounding clanking as you described. I've seen an AB comparison, but it was on guitar. I believe it was a warmoth video.
 
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I'm sorry this happened to you.... I believe Carvin has a good return policy .

Thank you.

And therein lies the crux.
I bought this from their guitars-in-stock selection. Its the instruments theyve built to show what they can produce and I beleive they are used in their showroom for people to test at their San Diego facility.
I had no input to the build of this bass.
Kiesel chose to finish it with theur Raw Tone Satin finish (a simple/thin satin coat with no filler). Kiesel vetos the 10-day return policy with any instrument done in the RTSF.
I did not chose this option, but they did infom me the 10-day trial is void before I purchased it.
I just assumed they had better build quality/QC than this.

I, and others, are interested to see what Kiesel responds with when I call them Monday.
 
Given the myriad of deficiencies (pickups, pre, woods, SS frets, etc), I would hand the bass off to someone-in-the-know for a second opinion. This could be either a competent tech (notice I didn't say "well-known" or "trusted") or even a seasoned TBer in your area. This should not be construed as an attempt to marginalize the stated issues but rather to better define or identify that which is culpable. These findings would better support any claims for warranty support.

Riis
 
Sounds like you don't like stainless frets and have some sort of electronics issue. I find the current electronics pretty good though leaning towards sterile/clinical sounding. SS frets I do not like. Just feel wrong and have that clack. Maybe it's my technique. Maybe it's Maybeline. Either way I won't buy a bass with them.

That really sucks about the no return thing. Buyer beware I guess.
 
Last edited:
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I've never agreed that Carvin makes terrible sounding instruments. I've owned Carvin basses from various eras (I currently have a 1990's-era and a 2010's-era Carvin), and can get a good sound out of any Carvin I've had. Tone is subjective, though.

Beyond that, I really only have three thoughts here.

1) I've never been a big fan of blend pots. Really, a two pickup bass has three main sounds. The subtle blend variations - even IF you can hear them in a quiet room - disappear in the mix. And that is a big IF.
2) Sometimes a bass sounds bad. I have an old Fender that I've pretty much tried everything. I've explored the bridge, pickups, neck joint, etc. It just sounds mediocre to my ears. As much as I don't like to blame wood, I think maybe that neck and body don't like each other. Carvin does all kinds of absurd wood combinations, so maybe it is possible that some of them just don't work for some people.
3) I bet there's somebody on TB that would think the OP's bass is the best sounding thing ever.
 
Got my new IC5 today.
I bought it from the Guitars-In-Stock selection.
SwampAsh, Walnut top, 5pc Walnut/Maple

I’ve been playing for just over 8hrs....can’t find one good sound.
I’ve adjusted the pickups to all extremes and then back to factory spec.

I believe the problem comes down to 2 elements:
1: StainlessSteel Frets
2: Pickups

On paper, stainless steel seems better. Eventually, frets wear out. But if we make frets harder, that must be better.
If you like pinging fret noise that is omnipresent even with the Treble lowered all the way, sure.
In all the hours of EQ’ing and pickup adjustment, the pinging only goes from worse to worser. No-treble dub was still plagued by the SS fret ping.

These pickups have the white dot.
So, KRH or RadHV?
The neck pickup sounds like a over-nasally bridge pickup and the bridge pickup is not musical at all.
The pickups do a great job at amplifying the SS fret ping.
They also introduce some odd harmonic overtones to everything. When I mute the note, that makes a loud overtone that makes the muting sound like a harmonic note if the midrange were turned up all the way.

Another oddity, it almost seems like the preamp is digital, or at least the pickup knob is.
When the pickup knob is at center detent and then adjusted ever so slightly in either direction, there is a cut-out that enters into a weird phase when going further towards either pickup.
Maxing either pickup and then rolling a little bit of the other pickup in also does this.
And the pickup knob in general is odd in that between full-on and center detent, it sounds like that pickup with just a little difference. What I mean is that the pickups dont play together to make unique tones. Basically its neck pickup, 50/50, and bridge pickup. Blending anywhere between detent and neck is just neck tone with more nasal. Bridge pickup rolling in more neck pickup is still just the nasal bridge sound but a little woofier/darker.

Does anybody have a bass with the white-dot Radiums that produces great tones?

Anyone else extremely disappointed in the SS frets?

I really wanted to like this bass and I regret giving Kiesel a chance, especially when they dont do 10-day return on an RTF, even if its a Showcase /G-I-S purchase and i never asked tgem to build it with RTF. I just assumed they wouldn’t make something this unmusical.
To me, thats a defect and ought to be remedied.
Why should a returning customer be punished for Kiesel trying to exhibit their options in available finishes.

I deeply regret not going with the NS Design CR5 or the Stingray 5 Special.
My Ibanez SR505 with non-USA MK1 Barts has better tones, and several of them, than this IC5.
I cant believe how different this experience is from my LB70p from 2000/2001. That bass was a dream and always created beaitiful experiences.
I have pointed a bunch of musicians towards Kiesel since my experience with my ‘01 LB70.
This, though. Im honestly deflated.
I have to wonder how this passes QC. Maybe there is no bassplayer who checks the basses to make sure they are musical to the ear and not just pretty to look at. Maybe this is what Kiesel believes is musical.

Sincerely,
Bunming hard with a $2,200 paper-weight.


Update:
I swapped strings from my Ibanesz, DR Hibeams.
They are darker than the Dunlops and give a better voice, but the tones are still unusable and the steel frets still plague me even with the trble tirned off and the high mids scooped all the way.
I bought the IC 4, thought I would like have a MID semi-parametric on board, NOPE, I actually found so many tones, I did not like, boost and cut, I wasn’t crazy about the pick ops, and the electronics, as well. Sorry for you dilemma.
 
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I have no idea what pickups these are, but this bass sounds excellent! Can you replace your pickups? Don't know if if it helps.
20180615_193104.jpg
 
I have no idea what pickups these are, but this bass sounds excellent! Can you replace your pickups? Don't know if if it helps. View attachment 3193754
I should clarify.
I can't remember what pickups I ordered. I do know the frets are stainless steel...er, I think. I may have been drunk or at work when I ordered it! But it sounds great.
 
I find it hard to believe that they have a no return policy on a new instrument. What a ridiculous policy.....

It's apparently specific to the Raw Tone Satin finish although I can only guess as to why. IIRC, certain custom options will void the normal 10 day return guarantee. Apparently, this applies to customer-spec'd instruments and off-the-rack purchases.

Riis
 
@Bliff Curton I own 3 Kiesels and 1 older Carvin each with different pickup variations. My JB5 in the beginning had the pinging effect with the Dunlop superbrites on it and I changed them out for some Chromes and it's less noticeable. I did have to mess with the action a bit to get it where it isn't an issue for me.

As far as the pickups, have you called them? Since it's rawtone and you don't get the 10 day trial you do have a warranty to any defects or electronic failures. If you talk to them they can have you work with the head tech Albert to go over what's happening and see if it needs to be sent in for a warranty issue. They stand behind their products, just have to have a little patience and contact them about it.

Their radium humbuckers are very mellow, my V59k is smooth as silk and I do have Carvin/Kiesel flats on it's P bass tone all the way. I find that bass is best suited in the studio, I have to rely on EQ work for live performances with it. Now my other Kiesels have the single coils and they're noticeably snappier with mids and highs no matter what strings I have on them.

Call them and see what they say about the electronics.
 
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