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NCD: Boom Bass Cabinets Tank 212SE

What's up TB!! I've seen maybe two other reviews of these cabs and just wanted to add my two cents to the mix. I waited a few months so I could put the cab through it's paces in a variety of situations. I'll try to cover everything as concisely as possible.

BOOM BASS CABINETS

First things first, I play a Peavey US Cirrus and a Hui Jazz 6 through an Eden WT800C in bridged mode (1200w) through this cab. I've also played a Bugera Veyron and Aguilar ToneHammer 500 through it as well. I play mostly finger-style with a little slap for spice, and generally play with slight lo-mid and hi-mid boosts, especially on the jazz. I brighten things up when slapping, but it's not my bread and butter.

Also, I'm not affiliated with Boom Bass Cabinets in any way. This is a completely unsolicited review. I live in MD which afforded me the opportunity to play the various BBC configurations before I bought. I also had the chance to meet the owner, Drue Williams, and hear him play (he's a BEAST of a bass player!). Drue is an all around nice guy who went out of his way to get me this cab! He's a great communicator and was willing to explain every feature of the cab in great detail

So here are the deets: Its a 21"x17"x18" enclosure with two FaitalPro woofers. One front firing, the other bottom-firing. Frequency range is 50Hz - 16kHz including with the 300w tweeter. The tweeter is actually mounted at the BOTTOM of the front baffle, and the whole baffle is tilted back maybe 25 degrees, so the sound isn't just hitting your ankles; perfect for monitoring without a stand! The cab weighs a paltry 38lbs and fits in my trunk or backseat with zero problems. There's a recessed handle on the top which is one of my favorite features since I still have the functionality of a handle with a flat surface to lay my amp on! There's also an attached luggage cart and recessed wheels right at the corners for additional ease of transportation. The tilt-back baffle also creates a nice ledge that you can use to pick up the cab when you want to get up curbs or steps. Of course, I recommend using the recessed handle, but in a pinch it's the perfect unexpected bonus.

I also have one of the first run "SE" models, with the two tone Tolex (navy blue sides, top, and bottom, white front and rear baffles) with white trim bordering the three bottom ports. It's noticeable, while staying classy and not over the top. If you check out the BBC website though, you'll see that Drue can wrap just about any color, and also a few materials (ostrich leather print, paisley, etc...)

The sound quality on the cab is second to none! My closest comparison is probably an Eden D410xlt, which was my old cab before I got into the small 2x12" enclosure game. And it's really not a comparison - the Tank gets louder and is not as colored as the Eden. The closest physical comparison may be the Orange cabs, or the Aguilar GS cabs...but I can't stand how they sound!! This cab basically reproduces what you put into it and then some! I don't know if there is a such thing as a completely "transparent" cab...I haven't heard a cab/amp combo yet that sounds like my bass plugged into my audio interface...but this cab certainly gets very close. I can EQ anything I want and the cab takes it like a champ! The two 12" woofers actually get super low too, low enough to feel in my stomach when I'm playing. And I think the highs could break glass....or bust a nerve. If you want to reach out and slap somebody in the face with bass or lock it in and hold down the pocket...this is the cab to do it with. I really believe you can handle a lot of large or outdoor gigs with this cab, with or without PA support.

It also projects very well. I've played it in an old church that sat about 400 people, no PA support and the sound guys in the back told me it cut through the mix perfectly! I was pretty astounded by the clarity at the volume I was playing (gain and master at 12 o'clock). I played later on in a really small building with an amateur sound setup and I was able to get a really deep and smooth tone and didn't have to turn it up for the bass to spread. Yesterday I played in a small corner behind a set of drums, guitar, organ, and keyboard stack...on the cellphone recording you couldn't tell that I was in behind all of that stuff...the bass was loud and clear!

The construction is top notch: Nothing loose, no rattling at high volumes...not even a whole lot of vibrations coming from the cab. The front grille fits in the enclosures securely and the luggage cart is securely screwed in from the outside. All of the baffles appear to be butted in and attached as close as humanly possible, and the blue and white Tolex wrap is seamless. All of this together makes for a cab that very compact and, though very light, feels very solid.

If I had to have a 'negative,' it's that the wheels are those small, hard rubber wheels. This means that unless the sidewalk was paved by God the cab will bounce around a little. Still I haven't had any issues rolling with my amp on top. My messenger bag fell once, but that's because I took a corner like Luigi in Mario Kart. Drue did a great job mitigating this by placing the wheels far to the corners of the cab. I don't think he can improve on this unless he installs 4" dolly cart wheels. Link RemovedLink Removed

The Last Word: I don't think you're going to beat this cab with much else on the market. Admittedly, I haven't played everything and I'm open-minded, so this opinion may change in the future. But for now, this cab is easily the best I've played. The cab fits in small trunks, easily manhandles 1200w (if you EVER need that much juice), look great, has a built in cart, and sets up/tears down in maybe 3 minutes flat! I unplug my bass, put my instrument cable in the gig bag, bag the bass, unplug the power and Speakon cables and wrap them around the cart and I'm ready to move!! I hope I've covered everything, but you can always contact Drue Williams if you have questions! If you are looking to downsize your rig into something more travel friendly, but still want the best tone you can get, I submit to you the Tank 212SE!!



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I wonder how this would stack up against the Fearful or Fearless lineup

They stack up well against any line of cabs currently out there. And they're designed to handle tough gig situations with one cab. If you're looking for accurate production of your bass in cabs that perform above their size they're worth checking out. And even if you're not they're still worth a look. Then you'll know for yourself.
:D

The goal is jawdropping performance that addresses the issues that professional bassists, both electric and upright, face. Regardless of genre. So that probably is different.
:cool:
 
I wonder how this would stack up against the Fearful or Fearless lineup

I've never played the fEarful/Fearless lineup, and it depends on what you're looking for, which obviously varies from person to person. I will say I've done quite a few A/B tests against some cabs from Peavey, Fender, Ampeg, and Eden, and the BBC came out on top (for my preferences). Maybe that adds some info? IDK lol.

Honestly they don't. Different goals, different sound, and that's OK. It is kind of like asking what makes a better space ship, a spatula or a lawn mower.

That's pretty funny lol! Like I said I haven't played a fEarful, but I'm sure there's a model that sits in the same range, tone-wise, as the BBC. I'd like to hear an A/B test of those actually. Same amp, same bass, same settings...that'd probably be pretty informative.

They stack up well against any line of cabs currently out there. And they're designed to handle tough gig situations with one cab. If you're looking for accurate production of your bass in cabs that perform above their size they're worth checking out. And even if you're not they're still worth a look. Then you'll know for yourself.
:D

The goal is jawdropping performance that addresses the issues that professional bassists, both electric and upright, face. Regardless of genre. So that probably is different.
:cool:

I couldn't say it any better....jawdropping performance is a great description! And then you add in the other features like weight, built in luggage cart, color-options...

Like I said easily the best cab I personally have ever played!

Looks and sounds like an awesome cab. Any sound bites?

I'll try to get some up for you man. I'm always a little wary of sound/video clips of cabs because I feel whatever mic you use to pickup the sound colors the tone, and you also don't get the same resonance that you would if you were in the room with the cab. Hopefully you'll get to try one in person somewhere! If you're ever in the DC/MD/VA area hit me up and I'll let you try it out!
 
UPDATE:

I took the cab to a country club in New Jersey last weekend for a banquet. Nice size room, sat maybe 120 with the tables. Once again I was astounded with the low-volume projection of this cab. The sound really filled the room without becoming loud and obnoxious (the Tank easily does that too though lol!). Our guitar player was sitting in the back of the room while I was warming up with some scales and runs to the front with this stank look on his face.

"That cab is RIDICULOUS," he says lol!

The next day we set up for a service in a large room of a rec center. I increased the volume in comparison to the night before, and was again amazed at the clarity. The Tank seems to retain all of the tonal characteristics no matter what volume you play at!

I can't wait to try the new Peavey, Mesa, and Genzler amps with this cab!!!
 
I've been looking at this cab for a bit (the 1215 Tank.) I like the specs and the portability. Looking to pair it with the new mesa boogie Subway D 800, but I've been hesitant to pull the trigger because the company is so new and seems like a 1 man operation (not necessarily a bad thing.) The guys at Chuck Levin's mentioned a 1 year warranty but I'm concerned about long term repair If needed. Like say for example the company folds in a couple years and I need a repair/replacement.
 
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I realize that my .02 is not 100% related but kind of close:

I have a Glasstone Lil' G that I use for most gigs as well as a TB153 that I use when I play reggae.

The TB153 definitely goes lower but is too heavy for me to haul around. The Lil' G is pretty similar to the BBC it seems and it sounds great for most everything else.

Last reggae gig I used a Aguilar Tone Hammer preamp into a Crown amp that was powering the TB153. The first set I was getting a little bit of distortion that I did not like. During the break I added a GK400RB into the Lil G and it was thunderous loud and clean.
 
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These cabs have been in production for a year now ( time really does fly) and as mentioned the drivers are easily replaceable as they are now an industry standard line of drivers and we've experienced tremendous reliability with them. As for the enclosure, Drue is a professional finish carpenter in addition to being a professional bassist. They're extremely solid enclosures.

While the Lil G cabs are a great design, we went in another direction and have gotten noticeably different results. Definitely worth comparing the two to see what I mean.
 
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The cabs use the Faital Pro drivers we deem appropriate for each design. We use various models for each model and don't plan on going into great detail about that... it seems to lead to debate and we'd rather folks look at these as complete systems instead of individual parts.

We do field alot of questions regarding folks' preferences for different driver sizes and we stress that these cabs don't sound like typical tens, twelves or fifteens. So for example, anyone expecting slow response from the fifteens is likely in for a big surprise.
 
I've been looking at this cab for a bit (the 1215 Tank.) I like the specs and the portability. Looking to pair it with the new mesa boogie Subway D 800, but I've been hesitant to pull the trigger because the company is so new and seems like a 1 man operation (not necessarily a bad thing.) The guys at Chuck Levin's mentioned a 1 year warranty but I'm concerned about long term repair If needed. Like say for example the company folds in a couple years and I need a repair/replacement.

As Brad mentioned, Drue is a professional carpenter in the area. I personally haven't heard of or read about any issues that would require repair on the cabinets themselves. The drivers can be replaced by any professional technician. And hopefully the company will grown in a year instead of close up ;-). I'd say go for it! I'm interested in hearing what the D800 sounds like anyways...keep me posted if you decide to go the BBC route. Best to you!

A local buddy of mine just got a Tank 1012. We will soon be putting it up against my F212.

I wouldn't worry about the size/longevity of the company. If anything were to go wrong, it'd likely be a driver, which would be easy to replace.

+1. I'd be interested in hearing your opinion after the shootout. The F212 is one of the fEarful designs right? I've always wondered what they sounded like.

Just curious, What is the 12" speaker rated at?

I believe the 12's are rated at 600w
 
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