IME I haven't seen them called nickel, but rather nickel silver. This puts them in a range of alloys.I wonder what the composition of "nickle" frets
http://www.talkbass.com/forum/f57/ca-glue-turned-green-redwood-burl-631044/index2.html#post8750827
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IME I haven't seen them called nickel, but rather nickel silver. This puts them in a range of alloys.I wonder what the composition of "nickle" frets
Cool page. Thanks.This gives a rough breakdown, nowhere near as detailed as Pete's info, bu I bet he knows where to find a more complete breakdown.Fretwire chart
KingRazor - sorry about the fret hijack - here's a bump to bring the discusson back to neck woods.
I think you'll really like the feel of an unfinished neck and the exotic look you'll achieve with different non-maple neck materials, not to mention tonal options you'll create. One thing you might want to research a bit with a luthier is how well the neck material mates to the fingerboard material. I've heard stories (may have been internet hype) about certian fretboards not reacting well with certian neck woods and causing warping, twisting, bowing, fret stability and other issues. IIRC it had something to do with the different woods reacting to humidity levels very differently and making the neck unstable. Again, confirm with a luthier or maybe look on Warmoth's site to see which FB materials they offer with which neck woods. USACG is another company you can call and inquire about neck/board configurations.
Never heard or played a walnut FB or neck or bubinga FB or neck but I do have a Pau ferro FB on my Fender American Standard Deluxe 5. The neck is maple and the overall tone is fairly bright and snappy, almost like a maple/maple neck.
I would guess a walnut neck/FB would be only slightly darker than an all maple neck. The bubinga neck/FB will probalby be as bright as an all maple neck F/B. But that's just a guess based on the body woods of some of my basses.